The promotion of mountain tourism took center stage at a recent event hosted by the Ministry of Tourism, where Minister Olga Kefalogianni unveiled a comprehensive plan to position Greece’s mountainous regions as a central pillar of the national tourism strategy. This initiative is part of a broader effort for sustainable and balanced development, aiming to extend the tourist season and support local communities.

The new promotional program for mountainous Greece was presented for the first time, aiming to boost the visibility of mountain destinations and attract visitors throughout the year. With the message “Mountainous Greece. It takes you higher. All year round,” the new communication campaign focuses on the concept of authentic experience, highlighting elements such as gastronomy, culture, nature, and outdoor activities. The campaign’s message presents mountainous Greece as a destination that offers not only recreation but also inner balance and rejuvenation. As emphasized, the goal is to showcase the country’s mountainous regions as places where visitors can disconnect from everyday life and reconnect with nature and themselves. As part of the event, the campaign was introduced with the ambition of serving as a starting point for repositioning mountainous Greece on the tourism map, both domestically and internationally.

“Mountainous Greece. It takes you higher. All year round”

The Deputy Minister to the Prime Minister, Thanasis Kontogeorgis, in his speech highlighted the revitalization of the regions—especially mountainous areas—as one of the main drivers of the National Strategy for Regional and Local Development, a central national goal for balanced growth across the country. “Mountain tourism is not for us an ‘alternative’ option—a stopgap solution. Together with infrastructure, housing, employment, and spatial planning, it is at the forefront of our strategy for regional development,” he emphasized. Mr. Kontogeorgis stressed that mountain tourism is not an isolated activity but a catalyst that mobilizes the entire local economy, from livestock farmers and local product producers to new entrepreneurs. The qualitative upgrading of the tourism product, achieved through the methodical work of the Ministry of Tourism’s leadership, creates the conditions for keeping communities vibrant all year round.

According to the Deputy Minister, the political will to support regional and mountainous areas is confirmed by the establishment of the Special Secretariat for Mountainous Areas within the Presidency of the Government. This new structure operates as a unified institutional pillar and a hub connecting the state with the regions, aiming to implement and further develop a comprehensive national strategy based on 12 pillars that will ensure social cohesion and the revitalization of mountain communities. This strategy will be supported by funding exceeding €1 billion annually (through the Public Investment Program, ESPA, and the European Social Climate Fund), ensuring social cohesion and the upgrading of infrastructure. “Our main concern is to safeguard the right of those who choose to remain in mountainous areas to stay, work, and prosper in the place where they were born and which they love,” he emphasized.

During her address, Tourism Minister Olga Kefalogianni emphasized that mountainous Greece, which covers around 80% of the country’s total land area, must be brought to the forefront. As she noted, it represents “another Greece”—less well known but equally attractive—capable of offering authentic experiences to visitors. Particular emphasis was placed on emerging trends in the global tourism market, with travelers increasingly seeking experiential travel, a connection with nature, and authenticity. In this context, the development of mountain tourism is presented as a strategic choice that meets modern demands and enhances the competitiveness of Greece’s tourism product.

“These modern demand patterns are shaping a new landscape in travel demand, based on the creation of authentic and enriching experiences,” the minister said, adding: “In this direction, focusing on the development and promotion of mountain tourism is a major opportunity for Greece. Thanks to its rugged mountainous terrain—from Thrace, Macedonia, Epirus, and the Peloponnese to Crete—our country holds a strong comparative advantage in this sector as well. Every mountainous destination encompasses a multifaceted experience, with valuable resources such as landscapes and ecosystems of exceptional beauty, centuries-old traditions, the warmth of its people, primary production, and unique local products. Our aim, therefore, is to give mountainous Greece a new, leading role—to establish it as a standalone and complete travel option or to complement our strong ‘sun and sea’ brand.”

Within the framework of strengthening mountain tourism, a set of interventions at both institutional and development levels was presented. These include enabling ski resorts to operate year-round, as well as the development of alternative activities beyond skiing. At the same time, plans are being promoted for the creation of a new product, the “Sustainable Mountain Tourism Destination,” which combines tourism development with environmental protection.

Particular importance is also being placed on boosting domestic tourism demand. As announced, the “Tourism for All 2025” program offers increased incentives for holidays in mountainous areas during the winter and shoulder seasons, while a similar approach will be followed in the next program for the 2026–2027 period.

The minister noted that resources from the Recovery and Resilience Facility also play a key role in implementing the strategy. An extensive program of projects is currently underway, with a total budget of approximately €90 million, focusing on upgrading infrastructure in mountainous areas and creating a digital promotion platform.

The minister concluded her remarks by stressing the importance of cooperation among all stakeholders, noting that the success of the initiative depends on synergy between the state, local authorities, businesses, and local communities. As she pointed out, the aim is to create a new, fairer, and more sustainable model of tourism development that benefits the entire country.

(Source: https://www.amna.gr, https://mintour.gov.gr)

VisitGreece.gr is the official tourism portal of Greece, operated by the Greek National Tourism Organisation (GNTO). The website serves as the primary digital platform for promoting Greece as a year-round travel destination. It provides comprehensive information on destinations, activities, events, and travel planning, including transportation, visas, and safety tips. VisitGreece.gr also offers inspiration for themed trips, itineraries, and unique experiences, helping international visitors easily explore and plan their stay in Greece.

Read also:

Greek mountains – a place for year-round tourism

Discover Greece’s Waterfalls

Zagori Cultural Landscape: Α new entry in UNESCO’s list

Olympus: The mountain of the gods

Mountainous Arcadia: A ‘mythical’ destination in the Peloponnese

Discover the beauty of Kalavrita

Mount Taygetos: Where nature meets heritage

Discover Foloi | The forest of the mythical Centaurs

Metsovo | The compelling charm of a traditional Epirus town

Nymfaio | The Northern Greek village straight out of a fairytale

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The global meetings and events industry turns its spotlight on Greece with the hosting of the Annual Meeting and General Assembly of the International Association of Professional Congress Organisers (IAPCO) at the Athens Concert Hall (Megaron) from 25 to 28 February, reaffirming the country’s growing momentum and its strategic position on the global conference map. More than 150 leading professionals attend the event, delivering a strong vote of confidence in Greece, which has long invested strategically in conference tourism. The sector fuels destination development, with the conference delegates and visitors spending five to seven times more than the average traveler. IAPCO represents more than 95 companies employing over 23,000 professionals across 185 countries. The economic impact recorded by its members for 2025 exceeds €16.8 billion.

The conference is themed “The Odyssey Reinvented,” linking Greek mythology with the challenges the sector has faced in recent years — a true odyssey marked by the pandemic, geopolitical turbulence, economic uncertainty, rapid technological advances, and growing sustainability demands. The conference is organised by the four certified IAPCO members in Greece — AFEA Congress, Convin, Era & Erasmus — and is supported by the Ministry of Tourism, the Greek National Tourism Organisation (GNTO), the This is Athens Convention Bureau, as well as leading organisations and companies across the entire conference organisation ecosystem.

The global IAPCO community gathered at the Acropolis Museum for the official Welcome Reception, marking the start of IAPCO AM&GA Athens 2026 under the theme “The Odyssey Reinvented.” The evening began with an exclusive private tour of the Museum, offering delegates the opportunity to experience one of Greece’s most significant cultural landmarks. (Photos: facebook.com/IAPCO)

The Opening Session was honoured by the presence of Olga Kefalogianni, Minister of Tourism of Greece, representing the Prime Minister of the Hellenic Republic, and Haris Doukas, Mayor of the City of Athens, underscoring the high importance the destination places on the global meetings industry and recognising its far-reaching economic, societal and intellectual impact. (Photos: facebook.com/IAPCO)

In her address, the Minister of Tourism, Olga Kefalogianni stressed that "Greece is steadily strengthening its position as a modern, competitive, and outward-looking destination for meetings, conferences, and major international events". The Minister welcomed the delegates to Athens, noting that the selection of the Greek capital to host this event constitutes a vote of confidence in the country and recognition of its growing momentum in the field of international conferences and events. Furthermore, she emphasized that through continuous investments, enhanced air connectivity, and high-level services, the city offers a comprehensive and attractive environment for hosting international meetings and high-standard events. The hosting of the IAPCO General Assembly in Athens marks a significant milestone for Greek tourism and confirms the country’s commitment to strengthening conference tourism. At the same time, the Minister underlined that Greece has a modern and constantly evolving ecosystem for the MICE sector, featuring contemporary conference centers, high-quality services, and specialized human resources. Ms. Kefalogianni also highlighted the country’s unique cultural dimension, noting that cultural venues provide distinctive options for hosting events.

(Source: mintour.gov.gr)

The conference was preceded by the IAPCO Council Meeting, which was held at the Grand Hotel Palace in Thessaloniki, hosted by the Thessaloniki Convention Bureau, from 21 to 24 February (Photo: facebook.com/IAPCO).

Speaking to the an interview with the Athens–Macedonian News Agency, IAPCO CEO Martin Boyle pointed out that Greece is seen as “a kind of hub” for the conference market and an attractive destination. “You don’t need to sell the name ‘Greece’ to an international delegate. The moment someone says ‘Greece,’ they already have in mind an idea of what that name means to them (…) and I think that idea is very positive. On the other hand, I believe that when someone looks at other destinations, they even struggle to define what their brand identity is for an international participant. Here (in Greece), that brand is very strong. So there is a real opportunity for you to capitalize on it”. According to Mr. Boyle, the reduction in duration, combined with a focus on a specific perspective, creates exciting opportunities for conference destinations, which could host more medium-sized conferences within a week instead of fewer large ones. “There are more opportunities for medium-sized conferences, and for cities like Thessaloniki, I believe that a number of 1,500–2,000 delegates is really good,” he noted, while adding that the role of safety for conference participants is becoming increasingly important. In this context, European destinations remain at the center of attention.

(Source: amna.gr)

IAPCO AM&GA Athens 2026. “The Odyssey Reinvented” – A Very Human Journey Toward the Meetings of Tomorrow. Athens is a destination with forward-thinking heritage, vibrant urban culture, and world-class meeting facilities, offering excellent connectivity by air and sea, and sustainable and fast transport from the airport. With its impressive rise in the international meetings industry, Athens has already been established on the global map within the top 10 most popular destinations for congresses. (Source: iapco.org) 

IAPCO President, President & CEO of AFEA CONGRESS, Sissy Lignou stated in an interview with the Athens–Macedonian News Agency that the awarding of the international IAPCO conference to Athens is proof of the recognition of the professionalism and capability of Greek organisers to host an event of such high calibre. It also signals trust in the professional core of the international meetings market (PCOs) and confirms that our country can deliver a top-tier industry event in terms of experience, infrastructure and stakeholder collaboration.

 “We chose the theme “The Odyssey Reinvented” in order to highlight not only the importance of the final destination on the way to achieving our goal, but also the great significance of the journey itself and the ‘experience’ that the organisation of conferences and events can create for each visitor or participant. We present the ‘journey’ as an opportunity, beyond the challenges,” Ms Lignou noted.

As the first Greek president of the international organisation, Ms Lignou believes that Greece possesses a deep tradition of hospitality, strong scientific capital, a dynamic academic community, and highly adaptable professionals. “Our scientists are recognised by international organisations, which turn their attention to our country for hosting their national conferences and events. Greek entrepreneurs excel abroad, making Greece an attractive hub for corporate meetings. In recent years, Greek PCOs have demonstrated that they can operate according to international quality standards, incorporate sustainable practices, and leverage technology in meaningful ways,” she notes. She also emphasizes that “Greece can influence global trends not only as an appealing destination, but as a ‘laboratory’ of innovation in conference and event design. Our country’s authenticity can once again highlight the importance of the human element and genuine interaction in a world dominated by technology.”

(Source: amna.gr)

This is Athens – Convention & Visitors Bureau, established in April 2008, is the business division of the city's international brand and advances Athens in the global tourism and meetings industry. As part of Develop Athens S.A., the City of Athens' development agency, it strategically attracts international tourism and investment, leveraging the city's unique assets and cultural heritage. It has been recognized multiple times as Europe's Leading City Tourist Board at the World Travel Awards. Athens has been awarded "World's Leading Cultural City Destination" for 2024 by the World Travel Awards, continuing its recognition as a top destination.

Thessaloniki Convention Bureau (TCB)is a non-profit member-based organization set up by a group of private companies, leading partners of the events and conventions industry, acting as intermediary link between meeting planners and local service providers, conference centers, venues, hotels, PCOs & DMCs. High professionalism in meetings organization, attractive venues, high standards hotels and a large number of relevant to the industry services, add value the city’s charming profile.

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The APSIM project (Applications of Situated Simulations) aims to promote the Greek culture using innovative technologies, assisting both the general public and the new generations to get familiar and love the archaeological wealth of Greece. Using an Augmented Reality (AR) application, visitors of archaeological sites and museums will have the opportunity to enjoy a completely different tour-experience in the archaeological sites, resembling one of a video gaming!

Through the Augmented Reality application CirculAR, cultural heritage sites are transformed into immersive, interactive experiences that connect the past with the present. By combining scientifically documented content with advanced 3D modeling, spatial mapping, and gamification techniques, CirculAR enables users to explore monuments in their original form directly within their physical environment. Using a smartphone or tablet, visitors can visualize reconstructions, navigate around monuments, and engage with historical narratives in a dynamic and intuitive way. The appliation is available free of charge for Android devices via the Google Play Store and for iOS via the App Store.

The creation of the CirculAR application was the result of multifaceted collaboration among scientists from different fields: archaeologists, historians, computer engineers, interface designers, educators, and specialists in cultural policy development. It was developed within the framework of the European APSIM project, coordinated by the I-SENSE research team of the Institute of Communication and Computer Systems (ICCS) of the National Technical University of Athens (NTU), with the participation of the Ephorate of Antiquities of the Cyclades, the Department of History and Archaeology of Aristotle University of Thessaloniki (University Excavation of Dion), the Epigraphic Museum of Athens, and the companies “GEOANALYSIS S.A.” and “Comic IKE.” The project is implemented under the “Research–Create–Innovate” action of the General Secretariat for Research and Technology, co-funded by the European Union.

The island of Delos- sacred in antiquity serving for millennia as a cultural, economic, and religious center - comes to life once again with the help of the innovative Augmented Reality application CirculAR. Using a simple smartphone or tablet, users of the application can experience an augmented reality journey: they can bring the monuments of Delos to life, view them in three dimensions, rotate them, walk around them, and enjoy a completely new, immersive visiting experience. The Temple of Apollo, the Stoa and the House of the Naxians, the Propylaea, the Terrace of the Lions—all those monuments that today are discernible only through their architectural remains—are revived through augmented reality and the use of scientifically documented content.

By using the camera, sensors embedded in mobile phones, and spatial mapping and positioning algorithms, the application “reads” the landscape and digitally places monuments or traces of the past exactly where they once stood. “The user participates, learns, and forms an emotional connection with the monument, transforming historical memory into a personal experience. And this is precisely the goal—so that we can creatively reconnect with the past,” notes researcher Dr. Tina Katika, Head of the XR Department at I-SENSE. (Source: apsim-project.eu,  amna.gr)

APSIM’s Pilot Demonstrations in Delos Island

According to Dr. Angelos Amditis, project coordinator and Director of Research and Development at ICCS/NTUA, speaking to the Athens–Macedonian News Agency (ANA-MPA), “We are effectively bridging today’s imagination with life in the past. Through the application, you don’t simply see stones or foundations—you see stories, you see architecture, you see human activities. As a result, the application becomes a means of interpretation and understanding, as well as an educational tool grounded in scientific accuracy, essentially transforming the ordinary citizen from a passive observer into an active explorer. In this way, every visit becomes a process of discovery, navigation, knowledge gathering, interaction, and connection”. “The greatest value of the application is that it functions as a bridge across time, carrying the past into the present and the present into the future. In this way, it helps us preserve not only the material but also the intangible dimension of History—creating knowledge and experience, and forging a meaningful relationship between people and place.” (Source: amna.gr)

The application is not limited to Delos. Through the same technology, users can also explore other monuments across Greece. The aim is to incorporate additional monuments into the application in the future.

The Episcopal Basilica of Dion in Pieria.  The ancient Dion, in the region of Pieria, was a sacred site of the Macedonian kingdom. The Roman colony of Dion flourished during the imperial period, particularly in late antiquity. Dion became an episcopal see, which reinforced its importance as an urban centre for the wider region. Near the centre of the ancient city and at a short distance from the Forum, the so-called Episcopal Basilica was built in the 5^th century CE, with at least two successive building phases.

The Philo’s Arsenal (Skeuotheke of Philon), located in the port of Zea (Piraeus), is a significant building preserving the technological memory of ancient warships. In 347 BC, the Athenians decided to construct a building in Piraeus to store the equipment of the military fleet—such as sails, ropes, and tents—during the winter months. The rectangular building, 130 meters long and 18 meters wide, called the Skeuotheke, was designed by the architects Philo and Euthydomos. Ancient writers considered the building the most eminent among the structures of ancient Greek architecture. Its virtual reconstruction was based on a surviving marble inscription, now exhibited at the Epigraphic Museum of Athens, which has been preserved in its entirety.

I.A.

The post The CirculAR Application by the National Technical University of Athens Research Team — Bringing Ancient Greece to Life appeared first on Greek News Agenda.

Greece remains among the top choices for travel in the Mediterranean over the next 12 months, maintaining the strong brand it has built in recent years in the major Western European markets, while further enhancing its image. (Cover Photo: The islands of Koufonisia, Source: visitgreece.gr)

More specifically, Greece ranks 3^rd in preference for outbound travel over the next 12 months in the German and Italian markets, 4^th in the French and UK markets and 6^th in the Spanish market. Compared to 2024, it is particularly encouraging that Greece has moved up by one position in the UK market—which, together with Germany, constitutes one of the two strongest inbound tourism markets in terms of revenue and arrivals for Greek tourism—as well as in the Spanish market, while its ranking remained unchanged in the other markets.

The data come from the latest study (January 2026) by the Institute of the Greek Tourism Confederation (INSETE), titled “Brand Greece: How attractive is Greece as a tourist destination? Comparison with competing Mediterranean destinations”. The first part of the study focuses on key European markets such as Germany, France, the United Kingdom, Spain, and Italy. The research underpinning the study was conducted by GWI in two waves in 2025 (7,402 respondents) and in two waves in 2024, focusing on visitors’ preferences regarding potential travel destinations over the next 12 months, thus including the summer months, which are of critical importance for Greek tourism. The markets examined contribute nearly half (47%–48%) of total inbound tourism revenues, according to official data from the Bank of Greece for the period 2023–2024.

INSETE (Institute of the Greek Tourism Confederation SETE) is a research and strategic planning arm of four partners with intense activity in critical areas of the Greek tourism market: SETE, the main association of Greek tourism businessesas the principal partner, The Hellenic Hoteliers Federation (HHF), The Hellenic Association of Travel & Tourist Agencies (HATTA) and The Confederation of Entrepreneurs of Rented Rooms and Apartments(SETKE). Its mission is to contribute to the promotion and enhancement of the Greek tourism sector through research, data, analysis, and supporting public and private policies.

 VisitGreece.gr is the official tourism portal of Greece, operated by the Greek National Tourism Organisation (GNTO). The website serves as the primary digital platform for promoting Greece as a year-round travel destination. It provides comprehensive information on destinations, activities, events, and travel planning, including transportation, visas, and safety tips. VisitGreece.gr also offers inspiration for themed trips, itineraries, and unique experiences, helping international visitors easily explore and plan their stay in Greece. (Source: visitgreece.gr)

Mainland Incredible Destination: Greece is a popular destination not only because of its amazing islands but also because the mainland offers plenty of options for a memorable Mediterranean holiday! Explore unspoilt fishing villages full of tranquil charm, tower towns, and traditional stone built villages or try the exciting city breaks on offer. Visit archaeological sites, learn more about the country's fascinating culture, travel along the spectacular coastline and enjoy its picture-perfect scenery! (Source: visitgreece.gr)

With regard to the INSETE Study, Greece ranks within the top five in all of them, holding 3^rd or 4^th place, except for the Spanish market where it ranks 6^th. Even in that case, however, Greece has moved up by one position, confirming the strong brand of Greek destinations in major markets. Another factor confirming the positive momentum of Greek tourism is the fact that the difference in preference between Greece and the country ranked one position higher in the UK and Spanish markets is only around 2 percentage points.

Compared to competing countries in 2025:

• German market: Greece ranks 3^rd, with Italy and Spain in 1^st and 2^nd place respectively. Germans state that they would choose Italy for outbound travel over the next 12 months at a rate of 26.8%, Spain at 24.9%, Greece at 19.7%, Austria at 19.0%, and France at 17.9%.
• French market: Greece ranks 4^th, with Spain in 1^st place, Italy in 2^nd, and Portugal in 3^rd. For French travelers, Spain records a preference rate of 26.9%, Italy 24.8%, Portugal 15.1%, Greece 12.6%, and so on.
• UK market: Greece, with a preference rate of 19.9%, ranks 4^th, with Spain and Italy in 1^st and 2^nd place respectively, France in 3rd place, and Portugal in 6th place.
• Spanish market: Greece, with a preference rate of 9.5%, ranks 6^th, with Italy and France in 1^st and 2^nd place respectively, followed by Portugal in 3rd place.
• Italian market: Greece, with a preference rate of 16.8%, ranks 3^rd, with Spain and France in 1^st and 2^nd place respectively, and Portugal in 5^th place.

The island of Santorini (Source: visitgreece.gr)

The INSETE Study notes that for the Italian and Spanish markets, competing Mediterranean destinations for Greece such as Croatia and Turkey fall outside the top 10. In addition, it should be taken into account that Greece remains high in the preferences of Western Europeans despite its geographical position, which does not favor road access in the same way as in the case of Germany, which borders France and Austria and through them has access to Italy, making road travel easier—and potentially more economical. Similarly, in the case of France, both Italy and Spain share borders with France and therefore benefit from easy road access. This factor underscores that the attractiveness of Greek destinations is based on a strong and recognizable tourism product.

Elías Kikilias, General Director of INSETE, stated to the Athens News Agency: “The Greek tourism brand, having established itself at the highest level of competition in the Mediterranean, has entered a phase of maturity in an environment where competition is competition is structural in nature, not driven by short-term circumstances, with Spain and Italy acting as leading destinations. Strengthening sustainability and resilience, preserving destinations’ identity, and differentiating our tourism product within the framework of a long-term and coherent strategy that coordinates public and private efforts are more imperative than ever”.

(Source: amna.gr, insete.gr) 

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Taygetos (or Taygetus) is among the highest mountains in Greece, and the highest one in the Peloponnese. It is known for its beautiful landscapes, with lush vegetation, rich fauna but also picturesque and historic villages.

Geography and geology

Taygetos is located in southeastern Peloponnese, covering areas from the prefectures of Laconia, Messinia, and Arcadia. Its peak, Profitis Ilias (Prophet Elias), stands at around 2,404 m (7,887 ft). It is characterized by steep ridges, deep gorges, and green valleys. It is mainly made up of limestone and dolomite, featuring extensive karst formations such as caves, sinkholes, and underground rivers.

Biodiversity

Mount Taygetus encompasses large areas that form part of the Natura 2000 protected areas network: both Special Protection Areas (SPAs), designated under the Birds Directive, and Special Areas of Conservation (SACs), established under the Habitats Directive to protect habitats and other wildlife.

It features several distinct plant life zones, which change with altitude; lower slopes are covered by Mediterranean vegetation, such as shrubs and wild olive trees; middle elevations are characterized by coniferous forests with firs, pines, and cypresses, while the subalpine zone only features low shrubs and some scattered trees, and the alpine zone is made up of rocky slopes with sparse vegetation. On the other hand, the mountain’s ravines create microclimates thanks to their moisture and shade, favoring plant life such as linden, myrtle, ivy, etc.

The mountain hosts over 1,000 plant species; of those, about 100 are endemic to Greece, and about 33 are endemic to the Taygetos region itself. Among the flora species that are unique to the region we encounter mostly herbaceous plants, with some of the most notable being Aquilegia taygetea (a type of columbine), Jurinea taygetea (a type of thistle), Astragalus taygeteus (a type of vetch) and Hypericum taygeteum (a type of St John's wort).

The region also has a very rich birdlife (as demonstrated by its encompassing Important Bird and Biodiversity Areas (IBAs)), with dozens of species recorded, thanks its mix of habitats. Some of the more interesting, conspicuous, or ecologically important birds you can see on Taygetos include the golden eagle (Aquila chrysaetos), the peregrine falcon (Falco peregrinus), the short-toed snake eagle (Circaetus gallicus), the common buzzard (Buteo buteo), which is especially widespread, kestrels, hobbies, various types of owls, corvids, such as ravens, jackdaws, crows and magpies, and smaller passerines such as tits, warblers and flycatchers.

Various mammal species have also been reported; typical mammals of the area include red foxes, jackals, and other Mediterranean mountain mammals; wild boar and small carnivores also occur. Moreover, the variety of microhabitats (sunny rocky slopes, shady streams) supports numerous reptiles and amphibians.

History

The slopes of Taygetus have been inhabited since at least Mycenean times. Its history is closely linked with that of the ancient city-state of Sparta, which lay at the mountain’s eastern base in Laconia. Its sharp relief and rugged terrain made it a natural stronghold and, in those times, it played an important part as one of the city's natural defenses. The mountain was also used as a site for endurance and survival training for Spartan youth, as part of the agoge training program (a prerequisite for citizen status).

There is also a very steep ravine, the infamous Ceadas (or Caeadas), located a few kilometers from Sparta, where ancient Spartans would throw criminals, people condemned for treason, and prisoners of war. Archaeological research has in fact recovered multiple human remains from it bottom, along with arrowheads and spearheads, confirming that this was in fact used as a place of execution.

Later, during the Byzantine and Frankish periods, Taygetus served as a refuge for local populations against foreign invasions. Many of the villages in its slopes date from this period, as does the citadel of Mystras, originally built by Frankish crusaders on the east side of the mountain, and later captured by the Byzantine Empire.

From the mid-13^th century, Mystras served as the seat of the governor of the Byzantine territories in the Morea, while in 1348 it became the capital of the Despotate of Morea, an important center for the arts and letters, attracting eminent scholars and architects of the time. The citadel retained a significant role under Ottoman and Venetian rule; following Greece’s independence, however, the majority of its population resettled to the modern city of Sparta and Mystras was eventually abandoned.

Mystras and villages

Arguably the most impressive site on Taygetos is the medieval ghost town of Mystras, the ruins of which remain an impressive and imposing landmark. Recognized as an UNESCO World Heritage Site since 1989, Mystras is celebrated for being a perfectly preserved Byzantine urban complex. Visitors can admire the churches and monasteries from the Byzantine times, including the Metropolitan Cathedral of St. Demetrius, dating back to the 15th century, and the historic monasteries of Peribleptos, Pantanassa and Brontochion. Apart from their impressive architecture, the churches preserve masterpieces of Byzantine painting.

However, apart from the famous Mystras, the mountains are also dotted with historic stone villages, many of which preserve their medieval or Ottoman-era character. Some of the most interesting ones are:

Longanikos (or Loganikos), built at an altitude of 770 meters in the northern part of the Evrotas valley; it is believed that this area has been inhabited since Neolithic times. The area is home to important monuments dating from the Late Bronze Age to Late Antiquity, and especially from Byzantine times. The Byzantine monastery of Agios Georgios and the church of Ascension are among the most interesting ones.

Parori, also not far from the city of Sparta, is full of picturesque old houses, fountains, and churches. It is close to the impressive gorge of Lagada and the cave church of Panagia Langadiotissa, built into the cliffs.

Arna, on the eastern slopes of Taygetos, is located at an altitude of 700 meters, surrounded by lush forests of apple, chestnut and walnut trees. It is a small village with quaint stone houses, famously crossed by the E4 European long-distance path which leads to the forest of Vasiliki, with tall fir tree ringed cliffs, and the small chapel of Agios Dimitrios at an altitude of 1490 m.

Kastania (or Kastanitsa), on the southeastern slopes, is one of the older settlements in Mani, gained importance as a naturally fortified zone. The area also boasts many Byzantine and post-Byzantine churches, some with preserved frescoes and hagiographic art. It also played an important part in the history of klephts, (anti-Ottoman insurgent who would eventually lead the Greek struggle for Independence), who used the area as their base to launch raids against the Ottoman forces.

Polyaravos, on the western slope, is officially recognized as a traditional village by presidential decree. It also played an important part during the Greek War of Independence. Now it is mostly deserted but its old stone houses retain their charm, as does the Church of Agios Konstantinos. The site also offers dramatic views of the surrounding peaks, valleys.

Read also via Greek News Agenda:  The medieval ghost town of Mystras; Greek mountains – a place for year-round tourism; Olympus: The mountain of the gods

N.M. (Into image: View of Taygetos by Deyan Vasilev (Dido3) via Wikimedia Commons)

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Ten new projects across eight Cycladic islands—Andros, Donousa, Koufonisi, Mykonos, Santorini, Serifos, Syros, and Tinos—including two inter-island initiatives, are part of the third funding phase of the Cycladic Identity Initiative. This phase expands support to local organizations and communities throughout the Cyclades. Launched in 2023 by the Museum of Cycladic Art, the Cycladic Identity Initiative aims to preserve, restore, and promote the unique cultural and natural heritage of the Cyclades. To date, it has supported 16 projects across 11 islands.

As Sandra Marinopoulou, President and CEO of the Museum of Cycladic Art, stated: "Cycladic Identity marks three years of meaningful contribution to the local communities of the Cyclades. The Museum of Cycladic Art would not exist without our islands, and we have a duty to give back in a sustainable and impactful way. At a time when modern challenges such as increased tourism, the abandonment of traditional practices, and climate change dominate everyday life, our goal is to remain consistently close to the islanders and responsive to their needs. Cycladic Identity seeks to provide both the means and the motivation for local communities to actively engage in preserving their heritage—a heritage that has carried them from the past into the present and holds the power to guide them toward a sustainable future."

ANDROS: “The Lemon Grove of Livadia in Andros: Soundscape of Biodiversity & Stories of People” - Organization: Andros Research Center

Andros has a deep-rooted agricultural history reflected in its terraced landscapes, dry-stone walls, bridges, cisterns, olive mills, and threshing floors. Its mountainous terrain, previous water abundance, and microclimates have fostered a rich ecosystem, with nearly half the island included in the Natura 2000 network. Citrus cultivation—especially lemons, was once central to the island’s economy and maritime trade, with the fertile Livadia plain as a key growing area. While the economy has shifted toward tourism and services, lemon farming in Livadia continues under increasing environmental and social pressure.

Revitalizing the primary sector is now a sustainability priority, requiring approaches that connect agriculture with heritage, identity, and visitor experiences. This project focuses on Livadia’s lemon groves, using innovative tools such as acoustic ecology, oral history, and heritage interpretation. Key activities, among others, include:  creating a 15-stop heritage audio tour of the lemon grove route, and developing a GPS-enabled audio guide app for Android and iOS, introducing users to the history and current role of Andros lemon cultivation.

(Source: Cycladic Identity Initiative)

Read also: Andros, the “Little England” of the Cyclades

DONOUSSA: “Installation of informational signs, and maintenance and improvement of access to the Geometric-period archaeological settlement at Vathy Limenari, Donoussa”, Restoration of a historic trail -  Organization: POSEIDON Cultural and Environmental Association of Donoussa

The archaeological site of the Geometric period (9^th–8^th century BC) at “Vathy Limenari II” on Donoussa Island was excavated between 1968 and 1972 by archaeologist Foteini Zafeiropoulou. The excavation revealed a settlement and numerous pots, now kept at the Naxos Archaeological Museum. Though significant to the island’s history, the site remains largely unknown. Today, the site is abandoned and overgrown, with a deteriorated trail making access difficult. In collaboration with archaeological authorities, the organization “Poseidon” aims to restore access. The site lies on path 4 of Donoussa’s Cultural Interest Trails Network, connecting the beaches of Kendra and Livadi. Along this route, visitors pass dry-stone structures, a windmill, local flora and fauna, and reach the traditional village of Mesaria. Although the archaeological site is near the trail, it remains hidden.

The goal is to improve the trail section from Mesaria to the site, linking the modern and ancient settlements and offering a deeper experience for hikers. Skilled stone workers from nearby islands will help restore old dry-stone walls, recognized as UNESCO intangible cultural heritage. Two durable, bilingual signs will be installed—one at the port and one near the site—to inform visitors about the excavation. Content will be developed with the archaeological service. Under archaeologist supervision, the team will clear the site to reveal the remains. Using the original topographic map, they will create a walking route for visitors.

(Source: Cycladic Identity Initiative)

KOYFONISI: “Keros – The island that speaks through images”, Photography and cinema workshop for Koufonisi students on Keros – Organization: Cinemathesis Non-Profit Civil Company (Photo: View of Keros Island from Pano Koufonisi, aegeanislands.gr)

The program offers a multi-themed workshop for students in Pano Koufonisi, inspired by the island’s proximity to Keros. Though uninhabited today, Keros—just 1.5 nautical miles away—is rich in history and cultural significance, known globally for its Early Cycladic figurines that influenced modern art. Its landscape, traditions, and environment closely resemble those of Koufonisi, making it a natural focus for local engagement.

The workshop connects students with the values of Cycladic culture, exploring its ancient roots and modern relevance. Through cinema and photography, they will creatively reflect on their surroundings, guided by professionals in storytelling and visual arts. The program includes five phases: learning about Keros’ history and archaeology, receiving training in audiovisual techniques, and producing a documentary, a cutout animation, and a photography exhibition. By combining heritage with contemporary expression, the workshop empowers Koufonisi’s youth to rediscover their cultural identity and share it through modern media.

(Source: Cycladic Identity Initiative)

Read also: Keros Project: Uncovering the mysteries of Cycladic civilization

MYKONOS: “The revival of ancient Greek weaving art in 21st-century Mykonos”, The importance of the ancient art of weaving - Organization: Folklore Collection of Mykonos

Weaving, once central to daily life and culture in ancient Greece, remains a living tradition—especially in Mykonos. Historically led by women, weaving produced essentials like clothing and dowries, with patterns reflecting nature, mythology, and local identity. Even today, sayings like “you, your spindle!” capture its lasting cultural role. Today, woven items are not just utilitarian but also artistic, bridging the gap between historical craftsmanship and present-day creativity. Moreover, weaving offers a sustainable approach to production, focusing on the longevity and quality of materials like wool, linen, and cotton. This shift highlights a respect for nature and a more conscious way of life.

The proposed program aims to preserve and promote this ancient craft. It will document the full process—from animal care to finished textiles—and highlight weaving’s evolution, including its role in Mykonos’ rise as a fashion destination during early tourism. A key feature will be building and using an authentic wooden loom, along with collecting local stories and testimonies. Educational workshops for students and the community, in partnership with groups like the Women’s Association of Mykonos, will support knowledge sharing. Through film, hands-on learning, and exhibitions, the program celebrates weaving as both heritage and sustainable contemporary art.

(Source: Cycladic Identity Initiative)

SANTORINI: “The Industrial Heritage of Santorini” - Organization: Theran Society of Arts and Sciences

Santorini’s industrial past, once shaped by mining, tomato canning, hosiery, wine, and fava processing, played a key role in the island’s 19^th and 20^th century economy. Windmills, lime kilns, and shipyards also reflect earlier pre-industrial activity. Sites like the Markezenis hosiery factory in Messaria, the DAR sock mills in Oia, and the tomato factories along the eastern coast that once produced Santorini’s renowned tomato paste—many of which still house some intact machinery - stand as reminders of a once-thriving industrial era. By the mid-20^th century, this sector declined due to earthquakes, economic shifts, and the rise of tourism. The 1956 earthquake caused widespread damage, and mining ceased in 1989. Many factories were abandoned, demolished, or repurposed, and much of the island’s industrial memory faded.

This program seeks to preserve that legacy by collecting and digitizing photos, archives, and oral histories from former workers and owners. Surviving industrial sites and equipment will be mapped and documented, culminating in a documentary to raise awareness and promote heritage preservation, supported by institutions like the Santorini Historical Archive and the Industrial Tomato Museum.

(Source: Cycladic Identity Initiative)

Read also: Cherry Tomato: A Lavish Product Made in Santorini

SERIFOS: “The Living History of the Serifos Mines”, Documenting the history of Serifos’ mines - Organization: Society of Friends of Cultural Heritage & Environment “Serifos”

The project focuses on documenting, preserving, and disseminating the living history of the Serifos Mines, a key element of the island’s identity. The “living history” refers to the experiences shared by miners and their descendants, as well as historical records and private archives. The goal is to safeguard this intangible cultural heritage, which has shaped Serifos’ history from prehistoric times to the modern era. The mining operations, which flourished in the 6^th century BCE, continued through the Roman, Venetian, and modern Greek periods until the closure of the mines in 1965. The 1916 general strike, which led to the establishment of the 8-hour workday in Greece, and the harsh working conditions faced by miners are significant aspects of this history.

The project has four main parts: Videotaped interviews with miners and relatives, with highlights shared online. Collection of photos from mining life and post-closure transitions, published online and in print. Documentation and donation of historical objects to the Megalo Livadi museum. Organization and digitization of residents’ archives, focusing on personal stories, the strike, and community memory, to collaborate with local institutions.

(Source: Cycladic Identity Initiative)

Read also: Serifos: The Intangible Cultural Heritage of Its Mining Activity

TINOS: “CODE 21: The Dovecotes of the Cyclades in the 21st century”, Recording of the traditional dovecotes (peristeriones) of Tinos - Kinono – Organization: The Tinos Gathering

The dovecotes (peristeriones) of the Cyclades, particularly those on Tinos island, have been an integral part of the landscape for centuries, reflecting a rich architectural tradition. These structures were historically used for breeding pigeons, a practice that has declined over time but still remains part of the island’s cultural heritage. Dovecotes served both practical purposes (providing pigeon meat and manure) and symbolic roles, reflecting the island’s architectural identity. Dovecotes remain important symbols of the island’s rural and architectural heritage.

CODE21 is a cultural heritage project focused on preserving and promoting these iconic dovecotes, which face threats like decay, improper renovations, and loss of skilled artisans. The project will digitally map and document 30 dovecotes in Tarampados using drone photography and 3D modeling, creating a web-GIS platform and mobile app. It also features four Living Labs involving local artisans and youth in workshops on photography, drawing, jewelry-making, and traditional maintenance. CODE21 fosters community engagement, intergenerational knowledge exchange, and creative reuse, supporting sustainable tourism and heritage innovation. Through exhibitions, films, and events, the project aims to make dovecotes living monuments of memory, creativity, and development across the Cyclades.

(Source: Cycladic Identity Initiative)

Read also: The dovecotes of Tinos Island

INTER – CYCLADIC / DELOS: “Adilos: Ethnographic research and experiential engagement in Delos”, Highlighting the agricultural heritage of Delos - Organization: Boulouki - Itinerant Workshop on Traditional Building Techniques

The main goal of the program is to restore “Markos Farm” (or “Markos Village”), a ruined agricultural complex located south of Delos’s main archaeological site, a World Cultural Site since 1990, and convert it into a residence for researchers working at Delos. In the long term, it seeks to repurpose the 19^th century agricultural buildings, preserving a key part of Delos’s rural heritage. Final restoration plans are expected by early 2025. The agricultural history of Delos remains underexplored and is often overshadowed by its classical heritage.

This project highlights and preserves that legacy, that had started with Markos Farm—an ensemble of eight buildings from the late 19^th and early 20^th centuries, notable for their creative reuse of materials such as railway tracks, boat sails, and ancient fragments. The 12-month program has three parts: Ethnographic research with local agricultural workers, a 1-2 day vocational apprenticeship linked to the restoration, and dissemination through a photographic album and narrative anthology, both print and digital. The program will conclude with a public event in Mykonos celebrating its completion.

(Source: Cycladic Identity Initiative)

Read also: Delos, the Sacred Island

SYROS: “Small is Beautiful – Biodiversity Havens”, Discovering biodiversity through a treasure hunt - Organization: Social Cooperative Enterprise for Collective and Social Benefit “Kavilia”

This program invites students, residents, and visitors of the Cycladic islands to discover and protect the unique biodiversity hidden in the region’s landscapes—paths, dry stone walls, and sand dunes. Developed by locals on Syros, it aims to raise awareness of lesser known plant and animal species and their importance to island identity, while addressing threats from development and climate change. The initiative transforms students into biodiversity ambassadors, promotes sustainable tourism, and builds a strong connection between communities and nature.

(Source: Cycladic Identity Initiative)

INTER – CYCLADIC: “Pollinating Cyclades”, The role of pollinators in preserving biodiversity - Organization: The Bee Camp Non-Profit Civil Company

The program addresses biodiversity loss by focusing on the protection of wild pollinators, such as bees, in the Cycladic Islands. These pollinators are vital to ecosystems, food production, and forest health, but face threats from pesticides, intensive agriculture, urbanization, and especially intensive beekeeping, which creates competition for floral resources. Despite their close connection to nature, many local communities are unaware of the importance of wild bees and the consequences of their decline.

(Source: Cycladic Identity Initiative)

Read also: Cycladic Identity: keeping alive the heart of the Cyclades

Cycladic Identity initiative moves into its second phase – “Greek Islands Trail, Cyclades” to propose a unified hiking route

Exploring Sikinos Island: Cultural Trails and Natural Treasures Through Innovation

I.A.

The post Cycladic Identity Initiative Expands: 10 New Projects for Heritage and Sustainability appeared first on Greek News Agenda.

The digital application "Paths of Culture in Sikinos" and the project "Recording and Highlighting the Flora of Sikinos" are two new initiatives implemented in 2025 with funding from the Cycladic Identity Initiative of the Museum of Cycladic Art.

Cycladic Identity aims at protecting the cultural and natural heritage of the Cyclades, as well as preserving, restoring, and showcasing their unique identity. With Culture, Biodiversity, and Intangible Cultural Heritage as its core priorities, the initiative functions as a platform for attracting and distributing resources to programs implemented by organizations active on the islands. The initiative is now completing its second year, having already supported 16 programs across 11 Cycladic islands, including one inter-Cycladic project. (Cover photo: Cycladic Identity Initiative)

The network of paths in the Cycladic islands is part of the region's cultural heritage and unique character. These trails were created over centuries with great effort and a deep sense of aesthetics by the local inhabitants. On Sikinos, the trail network includes seven marked routes with a total length of 56 kilometers, connecting landscapes of exceptional natural beauty with archaeological sites, chapels, and traditional settlements. (Photo: Cycladic Identity Initiative)

The "Paths of Culture in Sikinos" application, implemented by the Hellenic Society for the Environment and Cultural Heritage (ELLET), is a digital tool that allows visitors to explore the island’s historic trails safely, accurately, and with in-depth information about its cultural identity. In July, the first presentation of the app was held at Sikinos Elementary School. The event included a live demonstration of the application’s features, as well as an open discussion with the local community about the importance of preserving and highlighting the Cycladic identity through digital tools.

The new application, “Sikinos Paths”, available for free on both Android and iOS, serves as a navigation assistant for hikers, enhancing their safety through offline maps and reliable trail information. It also provides bilingual content (Greek–English), supporting the tourism promotion of Sikinos and attracting visitors looking for authentic exploration experiences. To ensure maximum accessibility, the island's trail signage has been updated with modern signs featuring QR codes that link directly to the application.

Trail 1 (Chorio – Episkopi – Manalis Well – St. Panteleimon – Alopronia) - walking distance12,9 km, distance Time 4 hours 30 mins - includes sightseeing of traditional windmills, the Episkopi church and ancient monument, the Byzantine churches of St. Anne and St. George, cobbled paths with impressive low stone walls, the chapel of St. Panteleimon, and  traditional vineyards (Source: GREEK PATHS OF CULTURE) (upper photos: Cycladic Identity Initiative)

Footpaths were shaped over the centuries through the hard work and refined sense of beauty of our ancestors. They connected towns and villages, facilitating not only the movement of goods but also the exchange of culture. Over time, however, with the advent of modern transportation, many of these paths were abandoned—overgrown by vegetation or, in some cases, bulldozed and paved over as a convenient way to build road networks. The Hellenic Society for the Environment and Cultural Heritage (ELLET), through its “Paths of Culture” initiative, seeks to breathe new life into surviving footpaths of particular natural beauty and historical value. The “Greek Paths of Culture” program has already been implemented in 12 regions across Greece, and in October 2019, it  was honored with a Europa Nostra Award in the Awareness-Raising category. (Source: Hellenic Society for the Environment and Cultural Heritage - ELLET)

Flora of Sikinos (Photos: Cycladic Identity Initiative)

The second program completed in Sikinos is "Recording and Highlighting the Flora of Sikinos". Implemented by the Sikinos Association, this important initiative focuses on the scientific documentation, educational use, and public presentation of the island’s natural wealth. The project concentrated on cataloguing endemic and aromatic plants, as well as documenting the various flora species found on Sikinos. As part of this effort, a physical herbarium—a collection of dried and carefully documented plant specimens—was created. In July, the program and the herbarium exhibition were presented at Sikinos Elementary School. Students on Sikinos will now have the opportunity to learn about the island’s flora, gaining valuable knowledge with the aim of becoming future stewards of their natural heritage. Additionally, a proposal is underway to develop plans for cultivating aromatic plants on the island, focusing on native species with the best potential to thrive.

The island of Sikinos, one of the last inhabited islands in the Cyclades to retain significant uninhabited areas, has been proposed for a detailed study of its flora. Covering an area of 41,000 acres, with approximately 4,500 acres historically cultivated, Sikinos has traditionally maintained a predominantly agricultural lifestyle, setting it apart from many other small Cycladic islands. Unlike its neighbors, it lacks a strong maritime tradition, focusing instead on cultivation. The island’s cultivable lands, rocky barren landscapes, gorges, and uncultivated areas provide a unique habitat for characteristic flora, including potentially many endemic species that remain largely unaffected by cultivation, pesticides, road construction, and building developments. (Photo: Cycladic Identity Initiative)

Sikinos is a relatively small Cycladic island, perfect for a quiet holiday filled with relaxing walks through scenic locations and swimming in crystal-clear waters—far from the crowds. The visitor escapes the stress and anxiety of everyday life on this charming island, nestled between Ios and Folegandros. Sikinos is characterized by terraced landscapes, low stone fences, and countless chapels scattered across a scenery bathed in the stunning green and blue hues of the Aegean Sea. While its terrain is largely rocky and lacks abundant greenery, the island’s most striking feature is the steep cliff on its northwest side, where the picturesque Chora is perched. (Source: visitgreece.gr, Photo: aegeanislands.gr)

Chora is one of the most beautiful capital towns in the Cyclades, with stone manors and narrow alleys. It has two settlements, the oldest of which is called Kastro (Castle), also called Sikinos, while the second settlement, Chorio (the Greek word for village), has been built in recent years. (Photo: aegeanislands.gr)

The monastery of Zoodochos Pigis (meaning Life Giving Fountain) or Chrysopigi, built at the top of a cliff, in an amazing location, gives at first the impression of a castle. It was built in 1690 and as it appears from the fortification, the battlements and the murder holes, it was a last resort of the Sikinians every time the Castle was under malicious raiders. The visitor enjoys a breathtaking sunset from there.  (Photos: aegeanislands.gr)

The monument of Episkopi on Sikinos is a Roman mausoleum dating back to the 3^rd century. Because of its conversion to a Byzantine church, it was continuously used and has therefore survived nearly intact. Its ancient structure, combined with interventions from several historical periods, offers an incomparable palimpsest of archaeological periods that is rarely preserved in ancient monuments. The Ephorate of Antiquities of the Cyclades decided to restore the building in 2016 and reopen it to the public. During the restoration work on Episkopi, archaeologists made many valuable discoveries, such as inscriptions and remnants of Roman and Byzantine wall paintings, which were preserved by implementing a microclimate monitoring system. The most important find was the hermetically sealed grave of a woman of high rank, named ‘Neiko’, which was dated to the 3^rd century. This "palimpsest of history" was awarded the European Heritage Award / Europa Nostra Award in 2022 for its significant cultural value and restoration efforts. (Source: europeanheritageawards.eu,  Photo: Ephorate of Antiquities of the Cyclades )

Read also:

Cycladic Identity initiative moves into its second phase – “Greek Islands Trail, Cyclades” to propose a unified hiking route

Cycladic Identity: keeping alive the heart of the Cyclades

Cycladic architecture, stunningly blending with the endless blue of the Aegean sea

I.A.

The post Exploring Sikinos Island: Cultural Trails and Natural Treasures Through Innovation appeared first on Greek News Agenda.

The Benaki Museum, in collaboration with the Cultural Association 'Skiathos', is organizing an exhibition titled “Dimitris Pikionis: Shape and Form” at the Holy Monastery of the Annunciation of the Virgin Mary on Skiathos island (on view until October 15). The exhibition offers a concise overview of the work and personality of Dimitris Pikionis, whose archive was donated to the Benaki Museum by the Pikionis family in 2001. A distinctive figure of Greek Modernism, Pikionis profoundly influenced the architectural consciousness of Greece and continues to shape it to this day (Cover photo: Landscaping of the Acropolis–Philopappou Hill by D. Pikionis, 1954–57, Benaki Museum, Exhibition Catalogue).

Another major exhibition on Pikionis’s legacy, titled “Dimitris Pikionis: An aesthetic topography” – named after one of his theoretical writings - will be presented at the Benaki Museum in Athens from October 23, 2025, to January 25, 2026. This exhibition will focus on his renowned landscape design for the entrances to the Acropolis of Athens.

D. Pikionis photographed at Delphi (Source: Benaki Museum)

Dimitris Pikionis (1887-1968) was born in Piraeus to parents of Chian descent. In 1906, while studying civil engineering at the National Technical University of Athens (from which he graduated in 1908), he became the first student of the distinguished Greek painter Konstantinos Parthenis. A friend of the painter Giorgio De Chirico, continued his studies in architecture in Munich and later pursued fine arts at the École des Beaux-Arts in Paris. There, he encountered modern painting—particularly the work of Cézanne and Paul Klee—as well as the sculpture of Rodin. Upon returning to Greece, he rediscovered his architectural calling without abandoning painting, and eventually taught at the National Technical University of Athens. During this period, he also collaborated with a group of artists to co-edit the influential magazine To Trito Mati ("The Third Eye") alongside his close friend, the painter Nikos Hadjikyriakos-Ghikas. The publication played a key role in introducing the European avant-garde to Greece.

Although a contemporary of Le Corbusier and Mies van der Rohe, Pikionis developed a unique architectural language that sought to integrate tradition with modern abstraction. His work aimed to synthesize formal innovation with a deep sensitivity to cultural identity—an effort to reconcile modernity with the spirit of place and heritage. (Source: Benaki Museum)

D. Pikionis, from the “Attica” series (Benaki Museum, Exhibition Catalogue). In Pikionis’s work, the typology of modern architecture opens up to vernacular inspirations, to the part-ancient, part-mythical past, and to the natural environment—from which all cultural forms originate and to which they will be ultimately returned. (Source: Kassel Dokumenta 14)

The landscaping project for the Acropolis and Philopappos Hill, on which he worked between 1954 and 1958, is considered Pikionis’s foremost and most unique achievement (Benaki Museum, Exhibition Catalogue)

"Pikionis’s landscaping for the Acropolis and Philopappos Hill took the form of a system of footpaths, individually paved with stones, antique spolia and modern urban rubble, that followed and extended the existing paths on the two hills that had been walked upon, often for centuries. This landscaping is groundbreaking and radical—precisely because it is ultimately modest and thoroughly in situ—a piece of architecture learning from its context. Working collectively with his students and local stonemasons, Pikionis practiced the careful and laborious technique of paving using salvaged debris from the violently developing capital of Greece. His landscape design, created in opposition to both industrial and archaeological transformations of land, remains the only urban-scale project ever to take place on the slopes surrounding the Acropolis” (Source: Kassel Dokumenta 14)

Acropolis-Philopappou hill landscaping by D. PIkionis, 1954-57, photographs by Helen Binet (Benaki Museum)

Acropolis-Philopappou hill landscaping by D. PIkionis, 1954-57 (Benaki Museum)

Kenneth Frampton, the prominent British architect, critic, and historian, has written extensively about Dimitris Pikionis, recognizing him as a pivotal figure in 20th-century architecture: “When I first visited the Acropolis in 1959 I found myself walking virtually by accident on the adjacent landscape of Philopappou Hill and there I felt, with surprise, the almost literal movement of the ground as my frame was drawn by the tactile resistance of the paving, up and down the undulating labyrinth of the terrain; a site designed so as to be experienced as much by the body as by the eyes. Equally surprising were the stone-paved terraces and benches and, above all, the wood-framed temenos and tea pavilion, built adjacent to the reconstructed Loumbardiaris church. These last seemed as though they had been drawn from Japan over eons of time via the cultural sieve of Byzantium. I did not realize at the time that this staging ground was not quite finished and that the seventy-two-year-old architect was still supervising the work” (excerpt from a text first appeared in Dimitris Pikionis, Architect 1887­–1968: A Sentimental Topography, London: Architectural Association, 1989, Source: Kassel Dokumenta 14).

D. Pikionis, Acropolis-Philopappou landscaping, Resting place and Church of Agios Dimitrios Loumbardiaris, 1954-54 (Benaki Museum, Catalogue of the exhibition)

The exhibition “Dimitris Pikionis: Shape and Form”  is a concise and comprehensive presentation of Pikionis’s work, through reproductions of archival material and includes: the Moraitis House (1923), the Karamanos House (1925), the Lycabettus Primary School (1932), the Kotopouli Summer Theatre (1933), the plans for the Delphi Centre (1934), the Thessaloniki Experimental School (1935), the Apartment Block at Heyden Street (1936), the Residence / workshop for sculptress Froso Efthymiadou-Menegaki (1949), the Potamianos Residence in Filothei (1953-1955), the Xenia Hotel in Delphi (1951-1956), the Forest Village in Pertouli (1953), the Pouris Residence (1953-1955), the plans for the settlement of Aixoni (1950-1957), the landscaping of the area around the Acropolis and the hill of Filopappou (1954-1958) and the Children's Garden in Filothei (1961-1964).

D. Pikionis, Children’s Play-Garden, Filothei, 1961-64 (Benaki Museum, Exhibition Catalogue)

Elementary school, Pefkakia, Lycabettus, 1932 (left), Thessaloniki Experimental School, 1935 (right). Pikionis states: “The Lycabettus School was built in 1933, but as soon as it was completed, I found it did not satisfy me. It occurred to me then that the universal spirit had to be coupled with the spirit of nationhood; and this led me to make buildings like the Experimental School in Thessaloniki (1935)…” (Benaki Museum, Exhibition Catalogue)

In the exhibition catalogue, George Manginis, Academic Director of the Benaki Museum, writes “among the greats of Greek modernism, Dimitris Pikionis stands out for his championing of the humanist ideal: the belief that humankind constitutes the ultimate measure of things. His approach to materials combined a deep knowledge of their limitations more expected from a traditional craftsperson, with an acumen more akin to a historian of art and architecture; his sense of proportion opted for minor scale and quiet emotion, but embraced the monumental as a mechanism of remembrance, sometimes even nostalgia; and his universal vision for the vocation of the architect was founded on both an open perception of society and a personal, nearly mystical approach to the concept of place”.

Painting works by D. Pikionis presented at the exhibition: From the “Paris” series, “The Three Graces”, 1914 (upper left), From the “Nature” series, “House in the Sacred Way” (upper right), From the “Vernacular” series, untitled (lower left), From the “Vernacular” series, “Elpis” (“Hope”) (lower right) (Benaki Museum, Exhibition Catalogue)

D. PIkionis, Sketch for Aixoni Settlement, Glyfada, 1953-55 (not realized) (Benaki Museum, Exhibition Catalogue)

The Monastery of the Annunciation of the Virgin Mary - commonly known as Evangelistria by the locals – is hosting the exhibition and is located in the northeast of Skiathos island, approximately 5 km from the main town, at an altitude of about 200 meters. Among the oldest Monasteries in Greece, Evangelistria is the only “active” monastic community on Skiathos today. It was founded by Kollyvades monks from Mount Athos, with construction beginning in 1794 and completed in 1806. The monastery was known for its strict adherence to Athonite monastic rules, including a historical ban on the entry of women. Evangelistria played a crucial role in the national awakening and revolutionary movements of the time, offering both moral and material support. In 1807, it became the site where the first Greek flag—featuring a white cross on a sky-blue background—was designed, made, blessed, and raised for the first time. Today, the monastery houses a library and a folklore museum, showcasing sacred relics and historical exhibits that reflect its spiritual and national significance. (Source: skiathos.gr, Photo: monastiria.gr)

Skiathos, the most cosmopolitan island in the Northern Sporades, is a true paradise on earth, —blessed with lush pine forests, picturesque landscapes, and crystal-clear azure waters. Unspoiled and naturally beautiful, the island boasts more than 60 stunning beaches, each with its own charm and pristine waters.

The town of Skiathos - both the island’s only settlement and its capital - is located on the southeast part of the island, nestled along a tranquil bay that is divided by the small peninsula of Bourtzi. . It is a relatively new settlement, founded in 1829–1830 on the site of the island’s ancient town, which dates back to 800 B.C., and is built across two seaside hills. The local architecture of Skiathos reflects a unique blend: traditional island style mixed with elements of Pelion village design, enriched by neoclassical influences (Source: skiathos.gr)

Koukounaries is the most famous beach on Skiathos and one of the best-known in Europe, frequently featured in international rankings of the world's top beaches (skiathos.gr)

Lalaria is located on the northeastern coast of Skiathos and is accessible only by sea—and strictly on days of dead calm—via daily boats departing from the port of Skiathos. It is considered one of the most beautiful beaches in Greece, with its iconic images having travelled the world and helped put Skiathos on the global map. For millennia, the fierce northern winds have sculpted the steep white cliffs that rise dramatically from the sea, shaping the smooth white pebbles known as lalaria, which give the beach its name (skiathos.gr, Photo: visitgreece.gr)

Skiathos Experience - Explore Skiathos

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The post Modernist Greek Architect Dimitris Pikionis Celebrated in Skiathos Island Exhibition appeared first on Greek News Agenda.

Located in the Ionian Sea and easily accessible from the mainland, Lefkada boasts a rich history as well as spectacular natural landscapes. It is not just a sun and beach destination, but a place where time seems to have stood still, inviting the perceptive traveler to explore its essence and authenticity in depth.

Among it many features, you will find picturesque villages, lush vegetation, churches and monasteries, idyllic coves with crystal-clear waters, crowded or hidden beaches a rich cultural heritage and the locals’ hospitality.

Lefkada is surrounded by a total of twenty-four islets, including the legendary Skorpios, Onassis family’s private island. The island is connected to the coast of Central Greece by a 50-meter floating bridge, which operates on a rotating platform, thus allowing cars to cross over easily (and moving aside several times a day to allow boats pass through the narrow Lefkada Channel).

A brief history

The word Lefkada derives from the Greek adjective lefkos, meaning “white”. The whole of the island is believed to be probably named after Cape Lefkata (also known as Cape Doukato), on the southernmost point of the island. The cape, in its tun, is widely believed to take its name from its great white cliffs overlooking the sea. Legend has it that the iconic Ancient Greek poetess Sappho threw herself to her death from those cliffs. Hence another name for this place is “the Lady’s leap” or “the Lady’s Cape”.

Following extensive excavations at various locations on the island, German archaeologist Wilhelm Dörpfeld (1853 –1940), a pioneer of stratigraphic excavation, had even proposed Lefkada as the actual basis of the Homeric Ithaca (a place identified by most archaeologists with either modern-day Ithaca or Kefalonia / Cephalonia, the largest of the Ionian Islands).

Like most Greek islands, Lefkada has witnessed several civilizations, from Ancient Greek and Roman, to Eastern Roman (Byzantine), Ottoman, Venetian and more. Its strategic location, which allowed it to control the sea routes between the Adriatic and the Ionian Seas for much of the Middle Ages, made it a recurring target for the powers in the area.

It should be noted that the rest of the Ionian Islands had gradually (from the mid-14th century until the start of the 16th century) become overseas possessions of the Republic of Venice, having been under Ottoman rule for little or no time – unlike the rest of Greece.

Lefkada, however, had come under Venetian rule in 1204, under the name Santa Maura, (following the Fourth Crusade and the partition of the Byzantine Empire) only to be later ceded to Italian noble families and then captured by the Ottomans in 1479. The island was once again conquered by the Venetians in 1684. Under their rule, advanced farming techniques were introduced, especially in viticulture and oil production.

The Republic of Venice also established a more stable administrative system and promoted maritime trade. Lefkada became a prosperous agricultural center and a link between the western and eastern Mediterranean. During this period, the island experienced a remarkable cultural flourishing. Venetian influence introduced new architectural forms and artistic styles. Religious brotherhoods and cultural societies also became established, shaping the urban character of the capital.

Following the Fall of the Republic of Venice at the hands of Bonaparte in May 1797, the Ionian Islands came under the possession of the French Republic and in 1800 they became a Russo-Ottoman protectorate known as the Septinsular Republic. Recaptured by the French in 1807 and then by the British in 1810, the Ionian islands were eventually ceded to Greece in 1864 under the Treaty of London.

Important sites

The various cultures that have shaped the island’s history have naturally also left their mark on its topography. This is particularly obvious in the island’s most notable landmark, the Castle of Santa Maura (or Agia Mavra, in Greek), a fortress on its northeastern tip, on one of its islets, close to the site where it is connected to the mainland. It was created as a small fortification in the early 1300s, by the count palatine Orsini who then ruled Lefkada, and then was extended by its subsequent ruler. The city of Santa Maura/ Agia Mavra, created inside the castle, became the island’s capital and remained so during Lefkada’s Ottoman rule, during which it was virtually rebuilt and fortified, while an aqueduct had also been constructed, greatly improving living conditions for the locals.

Under the subsequent Venetian rule, the castle was further restored and modernized, while the capital was moved to the nearby site of the modern city of Lefkada. The castle also bears marks of the British occupation. In the 20^th century, it was briefly used to shelter Greek refugees from Asia Minor (following the Greco-Turkish War of 1919–1922). Later, when the fortress was abandoned, most buildings within its walls were demolished.

The most important monument from the antiquity, on the other hand, is located in the heart of the ancient city of Lefkada: an ancient theater, established before the end of the 7th century BC, making it the oldest of its kind in the Ionian Islands. This important sight hadn’t been uncovered until recently. Until 2015, very little was known about the theater, and what we did know came from the work carried out in 1901 by E. Kruger, a collaborator of W. Dörpfeld.

According to the Ministry of Culture, the location of the theater was once more identified in 1997 by the Ephorate of Prehistoric and Classical Antiquities; the only systematic excavation on the island – since the major digs undertaken by W. Dörpfeld – began in 2017, with the express purpose of uncovering the theater. The site lies about 3 km south of the modern city of Lefkada, on the northeastern slope of Koulmos hill. The process was particularly challenging, as it involved removing earth and trees, and deconstructing newer structures. It is believed that it was used during the height of ancient Lefkada's economic and cultural popularity, but later fell into disuse during the Roman period.

Culture

Every summer, Lefkada hosts various artistic events. The Lefkas international Folklore Festival has been running since 1962, bringing together dance and music groups from around the world and flooding the streets with vibrant parades. The Festival of Lefkadian Gastronomy in July celebrates local products, while in August the Lentil Festival of Eglouvi features traditional dishes accompanied by music and dance.

The island's musical tradition is equally remarkable. The Lefkada Philharmonic, founded in 1850, is the second oldest musical society in Greece and performed in the first modern Olympic Games in 1896. The castle of Santa Maura also hosts various cultural events.

Religious heritage also plays an important role. The Monastery of Panagia Faneromeni, founded in 1634, is both a historical and spiritual landmark, with a library that houses valuable manuscripts from the 15th to 18th centuries. For centuries, it has been the religious center of the island as the oldest and largest monastery. Its patronal festival is celebrated on the Monday of the Holy Spirit (Pentecost Monday) with pilgrims flocking from all over Lefkada and the surrounding areas.

Beaches

Among the island’s most famous features are its beautiful beaches, with turquoise or deep blue waters – like something out of a postcard. Arriving from the mainland, Kastro and Ammoglossa are the first stops: quiet beaches with fine sand and easy access, perfect for those looking for convenience close to the capital.

For water sports enthusiasts, Lefkada is a paradise. Agios Ioannis-Miloi and Vasiliki are ideal for surfing and windsurfing, while Agiofili invites you to discover an underwater world perfect for snorkeling. Kathisma stands out for its beach bars, restaurants, and the possibility of paragliding over a spectacular scenery. Porto Katsiki and Egremni, on the other hand, catch your eye with breathtaking views of impressive cliffs over white sand and sapphire waters; they are both accessible either by boat or by walking down their famous metal staircases.

Apart from these renowned beaches, you can discover a lot of hidden gems around the island, such as Afteli, Avali, Kavalikefta, and Megali Petra, while Ammousa, Mikros Gialos, and Ligia stand out for their easy access, also being accessible to people with reduced mobility. Finally, it should be noted that Lefkada’s mountains are the source of numerous waterfalls. One prominent example is the Dimosari Waterfall near the town of Nydri (hence also known as Nydri Waterfall).

Based on the original article which appeared on Pamorama Griego (Into image: Porto Katsiki beach by Thierry via flickr)

Read also via Greek News Agenda: Discover Greece’s Waterfalls; Greek mountains – a place for year-round tourism; Andros, the “Little England” of the Cyclades

The post Lefkada: a cultural and natural treasure appeared first on Greek News Agenda.

In this year’s original visual art production of the Naxos Festival, held at the Bazeos Tower, two distinguished artists, Maria Grigoriou and Yiannis Papadopoulos, present their work at an exhibition entitled “The thread that holds us together”, curated by Mario Vazaios and running until October 5. With parallel, long artistic journeys, yet maintaining artistic autonomy, they delve with dedication and knowledge into weaving and manual craftsmanship. (Cover photo: Yiannis Papadopoulos, “Athens-Naxos”, hand-woven linen string, natural dyes, Source: athensvoice.gr).

The Bazeos Tower dominates the land leading to the seacoast of Agiassos on the 12th Km of the main road linking the capital city of Naxos (Chora) with the inland, outside Sangri village. The tower dates back to the 17^th century. At first, it functioned as a monastery and was called monastery of the Holy Cross (“Timios Stavros”). By the end of the 19^th century, it was bought by the Bazeos family, whose descendants are the current owners. Since 2001, when the first renovation phase was completed, the monument remains open to the public through the Naxos Festival activities, one of the most significant summer cultural events of Cyclades. (Source: bazeostower.com)

Maria Grigoriou and Yiannis Papadopoulos, exhibition “The thread that holds us together” at Bazeos Tower. (Photo:  facebook.com/Bazeostower/posts)

Using various primary materials such as linen, cotton, and silk, and employing traditional techniques like weaving, natural dyes, and handmade paper production, the two artists, Maria Grigoriou and Yiannis Papadopoulos, create independent works and sculptural landscapes. They develop old and new in situ constructions within the spaces of the historic monument, highlighting the timelessness of craftsmanship and weaving tradition and their evolution into contemporary visual art and expression. Their creations harmoniously and complementarily intertwine with works and installations present within the tower. (Source: culturenow.gr).

Maria Grigoriou and Yiannis Papadopoulos have shared the same art studio in Athens since 1978 and follow parallel paths. They studied at the Vakalo School of Art and the West Surrey College of Art and are founding members of the AFI group. They have both given seminars and lectures in various parts of the world, as well as numerous solo and group exhibitions, including at the Benaki Museum in Athens, the Foundation for Hellenic Culture in Berlin, and the Grand Curtius Museum in Liège. (Source: cycladesopen.gr Photo: lifo.gr)

Maria Grigoriou, “Sowing”, hand-woven white cotton, cotton cloth, resist dye, natural dyes indigo and walnut, acacia pods (left), “Indigo blues”, cotton, silk, wool (middle). Maria Grigoriou’s works are a daily recording of the same seascape, that constantly changing blue which contains Depth, Time, and Infinity. They bear the dark marks of Time, salt, and rust in an attempt to convey the emotion evoked by the landscape rather than the landscape itself. The process she follows to transcribe her recent daily experience into art is deeply experiential. (Source: culturenow.gr Instagram photos: maria_grigoriou_textiles)

Yiannis Papadopoulos, “Let’s twist”, “Test event”, handmade paper, rattan (left), “The tip of the thread”, hand-woven linen strings, handmade paper (right).  Yiannis Papadopoulos unravels the thread of Time and weaves his thoughts while rejecting all superfluous elements. Skillfully working with a simple linen twine, he dialectically shapes landscapes, ideally intertwining the works with the space, stirring and bringing the memory of the historic monument to the contemporary surface, offering a new and interesting perspective. (Source:  culturenow.gr, Instagram photos: maria_grigoriou_textiles)

The Naxos Festival started in 2001 with the aim to encourage the contact of local people and Naxos Island visitors with the diachronic and contemporary cultural artistic activity. Naxos Festival is nowadays a platform for intercultural meetings (Greek and from abroad) including art exhibitions, music, theatre, dance performances and many others cultural activities. The festival events take place from June to September mainly at Bazeos Tower, a 17^th century monument which predominantly overlooks the Naxian mainland, in an environment that encompasses and inspires both the events and the audience. (Source naxos.gr Photo: Naxos Festival facebook.com)

Naxos town (Chora) and the Kastro (Castle) district of the Old Town (Photo aegeanislands.gr)

Naxos, the largest of the Cyclades islands in Greece, is not only famed for its stunning beaches and ancient ruins but also for its remarkable medieval towers scattered across the island. These towers, built primarily during the Venetian occupation from the 13^th to the 16^th centuries, served as fortified strongholds and watchtowers to protect local communities from pirate raids and invasions. Constructed from local stone, their robust and imposing structures reflect the strategic importance of Naxos as a maritime and trading hub in the Aegean Sea. Today about 30 towers are preserved in the countryside of the island, offering a glimpse into the turbulent medieval past and enriching its cultural and architectural heritage. Visitors to Naxos can explore these historic monuments, which blend seamlessly into the island’s landscape, serving as silent witnesses to centuries of history. The following are some of the best-preserved examples of medieval architectural gems on Naxos.

Inside the old city of Naxos Kastro, narrow alleys lead to noble mansions, flowered courtyards, and centuries of history. The Della Rocca Barozzi Tower is now a museum of Venetian and folk heritage, and the nearby Tower of Crispi, is the last of Kastro’s original twelve towers. At the center lies the Catholic Cathedral, with its family crests and a rare double-sided icon of the Virgin Mary and Saint John. Behind it stands the older Orthodox Church of Panagia Theoskepasti. Nearby, the Capuchin Monastery features noble coats of arms and impressive icons. The Archaeological Museum, once attended by author Nikos Kazantzakis, hosts artifacts from the Neolithic to Christian eras. Across from the museum, the Ursuline School and Monastery were a former famous girls' school (Source: naxos.gr Photo: kastra.eu)

Fragopoulos Della Rocca Toweris one of the island’s oldest fortifiedtowers, dating back to the 14^th century and is found inKourounochori village. (Source: naxos.gr )

Zevgoli Tower, a two-storey Venetian-era stone structure that has been renovated and is now inhabited, is located close to the center of Apiranthos village.(Source naxos.gr)

Oskelos Tower located by the seaside road close to Kastraki is one of Naxos’s few towers built close to the sea. It dates back to the 17^th century and is distinguished by its considerable height and its strong defensive character. Offering an exceptional view towards Paros and Ios, the Oskelos tower is open to visitors. (naxos.gr)  

The tower of Ypsili, or tower of Ypsilotera, or monastery of Ypsilotera, was once a fortified monastery; the katholikon and the impressive frescoe, the towers, the murder holes etc are still preserved. The monastery was a revolution centre at the time of Naxos people uprisings against the oppression of Latin nobles. (Photo: aegeanislands.gr)

Barozzi Tower at the heart of Filoti village, is an imposing structure dating back to 1650, when Naxos was ruled by a Venetian duke of the same name. (naxos.gr)

The Markopolitis Tower has strong defensive walls and a drawbridge and is located at the entrance of Akadimi village. It holds a special place in Naxos history. Built in the late 18^th century for the House of Politis, it served as a bastion of the revolts against Frankish feudal lords in the Tragea valley. (naxos.gr)

The 17^th century Barozzi-Gratsia Tower in Chalki village, comes in three levels, with strong walls, iron-barred windows, heavy wooden gates, wooden drawbridge, murder hole to thwart attackers with scalding water and coats of arms that indicate its successive owners and repairs. (Source: naxos.gr)

The impressive Kokkos Tower at Potamia village was built by the same-name Greek Orthodox family in the 17^th century. The remains of a watermill are seen in the basement. Tradition has it that the Kokkos tower was the scene of a love story similar to that of Romeo and Juliet, involving two young members of the respective families. (Source: naxos.gr   Photo: allovergreece.com )

I.A.

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