The promotion of mountain tourism took center stage at a recent event hosted by the Ministry of Tourism, where Minister Olga Kefalogianni unveiled a comprehensive plan to position Greece’s mountainous regions as a central pillar of the national tourism strategy. This initiative is part of a broader effort for sustainable and balanced development, aiming to extend the tourist season and support local communities.

The new promotional program for mountainous Greece was presented for the first time, aiming to boost the visibility of mountain destinations and attract visitors throughout the year. With the message “Mountainous Greece. It takes you higher. All year round,” the new communication campaign focuses on the concept of authentic experience, highlighting elements such as gastronomy, culture, nature, and outdoor activities. The campaign’s message presents mountainous Greece as a destination that offers not only recreation but also inner balance and rejuvenation. As emphasized, the goal is to showcase the country’s mountainous regions as places where visitors can disconnect from everyday life and reconnect with nature and themselves. As part of the event, the campaign was introduced with the ambition of serving as a starting point for repositioning mountainous Greece on the tourism map, both domestically and internationally.

“Mountainous Greece. It takes you higher. All year round”

The Deputy Minister to the Prime Minister, Thanasis Kontogeorgis, in his speech highlighted the revitalization of the regions—especially mountainous areas—as one of the main drivers of the National Strategy for Regional and Local Development, a central national goal for balanced growth across the country. “Mountain tourism is not for us an ‘alternative’ option—a stopgap solution. Together with infrastructure, housing, employment, and spatial planning, it is at the forefront of our strategy for regional development,” he emphasized. Mr. Kontogeorgis stressed that mountain tourism is not an isolated activity but a catalyst that mobilizes the entire local economy, from livestock farmers and local product producers to new entrepreneurs. The qualitative upgrading of the tourism product, achieved through the methodical work of the Ministry of Tourism’s leadership, creates the conditions for keeping communities vibrant all year round.

According to the Deputy Minister, the political will to support regional and mountainous areas is confirmed by the establishment of the Special Secretariat for Mountainous Areas within the Presidency of the Government. This new structure operates as a unified institutional pillar and a hub connecting the state with the regions, aiming to implement and further develop a comprehensive national strategy based on 12 pillars that will ensure social cohesion and the revitalization of mountain communities. This strategy will be supported by funding exceeding €1 billion annually (through the Public Investment Program, ESPA, and the European Social Climate Fund), ensuring social cohesion and the upgrading of infrastructure. “Our main concern is to safeguard the right of those who choose to remain in mountainous areas to stay, work, and prosper in the place where they were born and which they love,” he emphasized.

During her address, Tourism Minister Olga Kefalogianni emphasized that mountainous Greece, which covers around 80% of the country’s total land area, must be brought to the forefront. As she noted, it represents “another Greece”—less well known but equally attractive—capable of offering authentic experiences to visitors. Particular emphasis was placed on emerging trends in the global tourism market, with travelers increasingly seeking experiential travel, a connection with nature, and authenticity. In this context, the development of mountain tourism is presented as a strategic choice that meets modern demands and enhances the competitiveness of Greece’s tourism product.

“These modern demand patterns are shaping a new landscape in travel demand, based on the creation of authentic and enriching experiences,” the minister said, adding: “In this direction, focusing on the development and promotion of mountain tourism is a major opportunity for Greece. Thanks to its rugged mountainous terrain—from Thrace, Macedonia, Epirus, and the Peloponnese to Crete—our country holds a strong comparative advantage in this sector as well. Every mountainous destination encompasses a multifaceted experience, with valuable resources such as landscapes and ecosystems of exceptional beauty, centuries-old traditions, the warmth of its people, primary production, and unique local products. Our aim, therefore, is to give mountainous Greece a new, leading role—to establish it as a standalone and complete travel option or to complement our strong ‘sun and sea’ brand.”

Within the framework of strengthening mountain tourism, a set of interventions at both institutional and development levels was presented. These include enabling ski resorts to operate year-round, as well as the development of alternative activities beyond skiing. At the same time, plans are being promoted for the creation of a new product, the “Sustainable Mountain Tourism Destination,” which combines tourism development with environmental protection.

Particular importance is also being placed on boosting domestic tourism demand. As announced, the “Tourism for All 2025” program offers increased incentives for holidays in mountainous areas during the winter and shoulder seasons, while a similar approach will be followed in the next program for the 2026–2027 period.

The minister noted that resources from the Recovery and Resilience Facility also play a key role in implementing the strategy. An extensive program of projects is currently underway, with a total budget of approximately €90 million, focusing on upgrading infrastructure in mountainous areas and creating a digital promotion platform.

The minister concluded her remarks by stressing the importance of cooperation among all stakeholders, noting that the success of the initiative depends on synergy between the state, local authorities, businesses, and local communities. As she pointed out, the aim is to create a new, fairer, and more sustainable model of tourism development that benefits the entire country.

(Source: https://www.amna.gr, https://mintour.gov.gr)

VisitGreece.gr is the official tourism portal of Greece, operated by the Greek National Tourism Organisation (GNTO). The website serves as the primary digital platform for promoting Greece as a year-round travel destination. It provides comprehensive information on destinations, activities, events, and travel planning, including transportation, visas, and safety tips. VisitGreece.gr also offers inspiration for themed trips, itineraries, and unique experiences, helping international visitors easily explore and plan their stay in Greece.

Read also:

Greek mountains – a place for year-round tourism

Discover Greece’s Waterfalls

Zagori Cultural Landscape: Α new entry in UNESCO’s list

Olympus: The mountain of the gods

Mountainous Arcadia: A ‘mythical’ destination in the Peloponnese

Discover the beauty of Kalavrita

Mount Taygetos: Where nature meets heritage

Discover Foloi | The forest of the mythical Centaurs

Metsovo | The compelling charm of a traditional Epirus town

Nymfaio | The Northern Greek village straight out of a fairytale

The post Mountainous Greece: A Premier All-Season Destination appeared first on Greek News Agenda.

The anniversary exhibition “Gennadius 100: A Century of Inspiration” (1.4-26.7.2026) narrates the history of the Gennadius Library through approximately 100 exhibits—matching the number of years since its founding. The Gennadius Library of the American School of Classical Studies at Athens, one of the country’s most important intellectual institutions, serves as a treasure trove of knowledge, remarkable collections, and rare books—some of which are being presented to the public for the first time in this exhibition.

The items featured in the exhibition offer visitors the opportunity to explore a world where history, art, and research coexist. From materials that narrate the evolution of Hellenism from antiquity to the present day, to personal archives of important figures and rare historical maps of the eastern Mediterranean, a multilayered account unfolds—telling both the story of the Library and the broader course of Hellenism itself.

The Gennadius Library: Opened in 1926 with the 26,000 volume collection of diplomat and bibliophile Joannes Gennadius, the Gennadius Library houses today 145,000 titles of rare books and bindings, research materials, manuscripts, archives, and works of art that illuminate Hellenism, Greece, and neighboring civilizations from antiquity to modern times. Rare maps of the Mediterranean, early editions of Homer's Iliad and Odyssey and a laurel wreath belonging to Lord Byron are just some of the unique items to be found here. In addition to its role as an internationally renowned library and research institution, the Library is an active participant in the Athenian and international cultural community through its public lectures, seminars, concerts, exhibitions, and publications.

Founders Joannes and Florence/Anthi Gennadius (upper left), Opening of the Gennadius Library, April 23, 1926 (upper right), Officials arriving at the opening of the Gennadius Library (lower) (Photos: www.ascsa.edu.gr)

Approximately 100 selected objects—rare books, manuscripts, works of art, maps, and archival material—highlight the journey of an institution that evolved from a private collection into an international research center. The exhibits, complemented by photographs and audiovisual material, shed light not only on the collection itself but also on the people behind it: collectors, donors, researchers, and librarians who shaped the identity of the Gennadius Library.

“The exhibition is not only a retrospective of the past, but also a starting point for the future. It highlights the dynamic nature of knowledge as a living process that continues to evolve,” notes the Director of the Gennadius Library, Maria Georgopoulou, curator of the exhibition, together with Irene Solomonidi, Head Librarian.

Forming a unified narrative, the exhibition is structured into ten thematic sections presenting:

• “The Vision” – the creation of Ioannis Gennadios’s collection
• “The Foundation” – the birth of the Library as an institution
• “The Legacy” – the donations that shaped it
• “The Collections” – rare books, manuscripts, and archives
• “Beyond the Book” – works of art, maps, and visual material
• “People” – the individuals behind the Library
• “Research” – its contribution to the humanities
• “Networks” – its international presence and collaborations
• “A Library Without Borders” – its cultural outreach
• “The Future” – its digital transition and role in the 21st century

One of the exhibition’s most engaging features is a section created by 45 researchers who have worked or studied at the Gennadius Library. Using their mobile phones and QR codes, visitors can discover the researchers’ favorite items from the Library, along with the reasons they selected them

The exhibition sections are arranged within the I. Makriyannis Wing in Kolonaki district in a way that allows visitors to follow multiple paths—historical, thematic, and experiential—each shaping their own personal interpretation of the Gennadius Library. Admission to the exhibition is free.

Rare editions presented, among others, at the exhibition:

• The grammar of Laskaris, the first dated Greek edition, marking the birth of Greek printing in the West.
• The Athenian edition of “The Lyric and Bacchic Poems” by Athanasios Christopoulos, the first Greek book printed in the city (1825).
• The first edition of Lucian, printed in Florence by Lorenzo de Alopa in 1496, edited by Janus Laskaris.
• The first edition of Homer’s works (Florence, 1488), produced by the Greek scholar Demetrios Chalkokondyles.
• The complete works of Aristotle, first printed in Venice in five volumes (1495–1498), the first major printing achievement of Aldus Manutius.

• The first printed edition of “Erotokritos” by Vitsentzos Kornaros, published in 1713 in Venice by Antonio Bortoli.

Read also: History of Greek Printing by the American School of Classical Studies at Athens

Exhibition “Gennadius Library 100. A Century of Inspiration”, American School of Classical Studies at Athens

Source: https://www.amna.gr

Photos: https://www.facebook.com/GennadiusLibrary/

The post “Gennadius Library 100. A Century of Inspiration” appeared first on Greek News Agenda.

Minister of Digital Governance and Artificial Intelligence, Dimitris Papastergiou, presented the opportunities arising for Greece’s space ecosystem as Adrian Golemis becomes the first Greek to participate in the official European Space Agency (ESA) astronaut training program.

For the first time in its history, Greece is officially represented in an ESA astronaut training program. Adrian Golemis will soon begin his training at the European Astronaut Centre in Cologne, Germany. This development marks a major milestone in strengthening Greece’s presence in space research and technology, opening new opportunities for the country’s participation in international space missions. The training, scheduled to start in April 2026, is a fundamental prerequisite for future participation in space missions and includes an intensive program of theoretical instruction and practical exercises.

Minister Papastergiou stated: "The training of the first Greek astronaut is not only a personal achievement for Adrian; it is a powerful symbol of a new era for our country in space. It is living proof that Greece can design, participate, and play a leading role in a field that until recently seemed distant. I cannot think of a better proof than the fact that a Greek citizen will now have the opportunity to travel to space. Our national presence in space is not fragmented; it is part of a cohesive strategy that is already underway: from increasing our participation in ESA research programs to the National Microsatellite Program, whose first launches are already a reality. Six micro- and nanosatellites are currently in orbit, while in the coming days, weather permitting, six more Greek nanosatellites are expected to be launched. In April, we continue with thermal microsatellites, further expanding our operational capabilities in space. In this way, we are creating a comprehensive ecosystem of knowledge, innovation, and production".

Adrian Golemis commented: "It is a great joy for me that, through the systematic work of the Hellenic Space Center and the General Secretariat of Telecommunications and Post, my success in ESA’s most recent astronaut selection has been transformed from a personal achievement into a national opportunity. It is an honor to help Greece be represented for the first time in the field of astronauts. Traveling to space has been a childhood dream. I am thrilled that we are moving forward with the right framework for our country: my integration into ESA’s astronaut training program expands the window for Greek companies, universities, and research institutions to participate in the agency’s collaborative programs, complementing the National Microsatellite Program that is already underway. Having worked in this field for eight years, I have witnessed the significant economic, scientific, geopolitical, and educational benefits that arise. I am particularly pleased that Greece is now moving in this direction and extending its activity in human and robotic space exploration. It is important to recognize that our country has a mature ecosystem capable of contributing to and benefiting from the European framework. Astronaut training also prepares us for the possibility of Greek participation, in collaboration with Europe and the U.S., in missions to the International Space Station (ISS), advancing domestic space research and technology for future applications that improve life on Earth. I would like to sincerely thank my family for their support, as well as every Greek citizen who has worked for our country’s entry into the astronaut program."

Brief Biography of Adrian Golemis

Adrian Golemis was born and raised in Larissa, studied medicine at Aristotle University of Thessaloniki, and completed an interdisciplinary Master’s in Space Sciences at the International Space University (ISU) in France.

He has lived and worked for one year in complete isolation with a small crew at the Concordia Station in Antarctica, conducting European experiments studying changes in human physiology and psychology under extreme living conditions similar to those in space. His next posting was at the French Institute of Space Medicine and Physiology (MEDES), where he worked on clinical studies simulating the challenges faced by the human body in space, aimed at improving understanding and care on Earth.

Since 2018, he has contributed to the medical support of ESA astronauts, currently serving as Lead Flight Surgeon. He is also a research collaborator at the Hellenic Space Center (ELKED).

In 2022, Golemis ranked first among 25 selected candidates out of 22,500 applicants in ESA’s astronaut selection process, becoming the first Greek citizen to complete all selection stages, enabling Greece to be represented in a research mission in space for the first time. Subsequently, he was elected a member of the International Academy of Astronautics (IAA).

Golemis also promotes science through public presentations and interviews, including many in schools.

Source: Ministry of Digital Governance and Artificial Intelligence

The post Greece Takes a Leap into Space: Adrian Golemis Becomes the First Greek to Join ESA Astronaut Training Program appeared first on Greek News Agenda.

The web portal Study in Greece is campaigning for the promotion and international visibility of Greek Universities and the comparative educational advantages of our country. In particular, the campaign focuses on the foreign language study programs that Greek Universities offer to Greek and international students. The initiative is supported by the General Secretariat of Higher Education of the Ministry of Education and Religious Affairs and the General Secretariat for Greeks Abroad and Public Diplomacy of the Ministry for Foreign Affairs. In this context, a number of educational programs and actions are presented in detail on a regular basis, such as undergraduate and postgraduate programs, summer schools etc, to inform international students about the many foreign language options offered by Greek Universities.

Manolis I. Stefanakis is Professor of Classical Archaeology and Numismatics in the Department of Mediterranean Studies at the University of the Aegean, where he also serves as Director of the BA in Eastern Mediterranean Studies (Archaeology–History–Culture). His research focuses on Classical Archaeology and Ancient Greek Numismatics, with particular emphasis on the interdisciplinary fields of Archaeology and Sustainability and Archaeoseismology.

Study in Greece interviewed Professor Manolis I. Stefanakis on the BA in Eastern Mediterranean Studies, its features and what it has to offer to international students.

Professor Stefanakis, please give us an overview of the brand new BA program in Eastern Mediterranean Studies, its structure and its main research areas.

The BA in Eastern Mediterranean Studies (Archaeology–History–Culture) is a four-year, interdisciplinary undergraduate program, fully taught in English and exclusively addressed to an international student body. The program focuses on the study of the Eastern Mediterranean from prehistoric times to the late Byzantine and medieval periods, combining approaches from archaeology, history, and classical and cultural studies. Its structure offers students a solid theoretical background alongside methodological training, encouraging comparative and cross-cultural perspectives. The main research areas include material culture, historical processes, cultural interaction, and the long-term dynamics that shaped societies across the Eastern Mediterranean world in the past.

How does your BA align with the general extroversion strategy and internationalization goals of the University of the Aegean?

The program is fully aligned with the internationalization strategy of the University of the Aegean. Being the first undergraduate program of the university taught entirely in English and exclusively addressed to international students, it significantly enhances the institution’s outward-looking orientation and global academic presence. By welcoming students from different countries and academic backgrounds, the BA in Eastern Mediterranean Studies promotes academic mobility, intercultural exchange, and international collaboration.

Could you give us more insights about the correlation between the subject of the program and the university’s key location?

The program’s subject matter is deeply connected to the geographical location of the Department of Mediterranean Studies: Archaeology, Linguistics, International Relations of the University of the Aegean, based on the island of Rhodes. Situated at a historical crossroads of the Eastern Mediterranean, Rhodes offers a unique living laboratory of archaeological sites and cultural landscapes spanning multiple historical periods. This strategic location allows students to directly engage with the material and historical realities they study.

What future prospects does your BA program open up for its graduates in the academic field and in the job market?

Graduates are well prepared for postgraduate studies and academic research in archaeology, history, heritage studies, and Mediterranean studies. Beyond academia, the program equips students for careers in museums, cultural institutions, heritage management, education, cultural tourism, international organizations, and the public and private sectors.

Your program is the first international undergraduate program featured in the University of the Aegean. Would you say that it is the first of many to be established in the university?

As the first, indeed, international undergraduate program of the University of the Aegean, this BA marks an important milestone. It reflects the institution’s commitment to expanding English-taught degrees and strengthening international outreach. While no official announcements have been made, I am sure that the program will serve as a model for future international initiatives.

What would you say to students that are interested in pursuing an academic path in this specific discipline to consider your program?

Students interested in the history, archaeology, and cultures of the Eastern Mediterranean will find this program an excellent foundation for an academic career. It offers a rigorous interdisciplinary curriculum within an international academic environment. The program prepares students to contribute meaningfully to scholarship, cultural heritage, and international dialogue, while offering an insight on living history on the island of Rhodes.

Applications are now open! For more, follow the link:

https://apply.studyingreece.edu.gr/en/programmes/bsc/1728/details/eastern-mediterranean-studies-archaeology-history-culture

The post International Program Stories / BA in Eastern Mediterranean Studies appeared first on Greek News Agenda.

Celebrating World Greek Language Day, the Embassy of Greece in Tokyo organized, on March 9, an academic event in cooperation with the University of Tokyo, held at the University’s premises. At the opening of the event, the commemorative message of the Deputy Minister of Foreign Affairs, Mr. Loverdos, was presented, along with a relevant informational video produced by the Ministry of Culture, translated into Japanese.

This was followed by a welcome address from the Ambassador of Greece to Tokyo, Ms. Kliamaki, who emphasized the timeless value of the Greek language throughout its long history, from the works of ancient Greek authors to our National Poet, Dionysios Solomos, as well as its contemporary use in science and its status as an official language in Greece and Cyprus, both members of the European Union.

The global influence of the Greek language was internationally acknowledged at the 43rd General Conference of UNESCO (Samarkand, November 2025). The audience was particularly impressed by the speech of the Minister of Culture, Ms. Mendoni, delivered at the UNESCO General Conference, in which she illustrated the contribution of Greek to the English language through the use of Greek-derived terms.

The event also featured lectures by academics with a background in classical studies from four different universities in the Japanese capital, addressing themes related to different periods of the Greek language. Dr. Takashi Matsuura (University of Tokyo) spoke about the origins of the Greek language, including the arrival of the first Greek tribes in the Greek region and the earliest examples of ancient Greek writing and dialects. Special emphasis was placed on the connection between Linear B and the Cypriot syllabary with the ancient Greek alphabet.

Professor Yoshinori Sano (International Christian University) discussed the reception of elements from the Iliad—especially the story of Ajax—in Sophocles’ tragedy of the same name, also drawing parallels with similar themes in Japanese epics and Noh theatre. Explaining the evolution of the Greek language after antiquity, he concluded that despite the millennia separating classical ancient and modern Greek, linguistic continuity remains stronger than in the case of Japanese.

The audience also attended with admiration a short musical performance by artist Futaba Sato, a graduate of classical studies, who performed excerpts from the Iliad and poems by Sappho, accompanied by an ancient Greek lyre acquired from a specialized workshop in Greece.

In the second part of the event, Professor Akihiko Watanabe (Otsuma Women’s University) addressed katharevousa as a linguistic bridge between ancient and modern Greek and as a unique example of combining elements from all periods of the Greek language. By reading excerpts from the works of A. Papadiamantis and D. Vikelas, he presented examples of the coexistence of ancient and modern Greek elements in katharevousa, a feature that continues in contemporary Greek, which is enriched by archaizing expressions.

The event concluded with a lecture by Emeritus Professor Masako Kido from Kyoritsu Women’s University, who has been awarded the rank of Commander of the Order of Beneficence for her contribution to promoting Greek culture in Japan. Her presentation focused on the work of Fotis Kontoglou,   within the search of “Greekness” and the broader intellectual movement of the “Generation of the 1930s,” emphasizing the interplay between text and image and the influence of Byzantine tradition. She also referred to other major modern Greek literary figures, including Nobel laureates George Seferis and Odysseas Elytis.

The event received a particularly positive response from the audience, consisting mainly of Japanese philhellenes and students, as well as members of the Greek and diplomatic communities. It served as a unique opportunity to showcase the long history and international significance of the Greek language at Japan’s most prestigious university. Also in attendance was the Head of the Japan–Greece Parliamentary Friendship Group and former Minister of Foreign Affairs, Defense, and Digital Reform of Japan, Mr. Taro Kono.

The success of the event was greatly supported by the Department of Classical Studies of the University of Tokyo, as well as by the high level of expertise demonstrated by the speakers.

This initiative forms part of the Embassy’s broader program to promote the Greek language in Japan. In this context, on 13 February, an interactive presentation was held for students of Shibahama School, in cooperation with the Greek language school “Girisha Plaza” and the Municipality of Minato, where the Embassy is located. The presentation focused on the Greek language and its influence on Japanese and was accompanied by a demonstration of traditional Greek dances by the Japanese dance group “Kefi.” In addition, outreach activities were conducted in four prominent Japanese schools, introducing students to Greek history, language, and culture, including reference to the establishment of 9 February as World Greek Language Day by UNESCO.

The post Celebrating World Greek Language Day in Tokyo appeared first on Greek News Agenda.

Missolonghi welcomes the iconic painting by Eugène Delacroix

In a highly charged atmosphere, marked by deep emotion and admiration, the Xenokrateion Archaeological Museum of Missolonghi welcomed on Saturday, March 14, the iconic painting by Eugène Delacroix, “Greece on the Ruins of Missolonghi” (La Grèce sur les ruines de Missolonghi), during an official press conference attended by the Minister of Culture, Lina Mendoni. The work was lent by the Museum of Fine Arts of Bordeaux as part of the events commemorating the 200^th  anniversary of the Exodus of Missolonghi and will remain at the Xenokrateion until November 2026. As of Sunday, March 15, the public has the opportunity to view up close the historic painting by the great Philhellene artist, who, just a few months after the heroic Exodus of 1826, created a work of profound symbolic power, despite never having visited the city. (Cover photo by journalist Nikos Aliagas (https://www.instagram.com/nikosaliagas/p/DV1LJ4iCFcl/). Nikos Aliagas notes that “it is a profound journey through time, where art invites us to reflect on the relationship between human beings and the non-negotiable ideals of existence. Artistic masterpieces are not merely visual achievements; they embody the universal truths that shape societies, traversing the centuries and our shared destiny”).

The Minister of Culture Lina Mendoni and journalist Nikos Aliagas at the press conference (photo https://www.tanea.gr)

The Minister of Culture emphasized that Delacroix’s choice of Missolonghi was far from accidental, as the Third Siege and the Exodus of 1826 shook Europe and secured for the city a distinct place in the memory of Philhellenes. As she noted, the months of starvation, the resistance to the very end, and the conscious decision of the inhabitants not to surrender but to undertake an exodus that was at once doomed and redemptive transformed Missolonghi into a timeless symbol of self-sacrifice and moral transcendence. She further pointed out that the designation “Sacred City,” later attributed to Missolonghi, was not merely honorary, but reflected the conviction that an act of the highest human dignity took place there, worthy of History itself. According to the Minister, it was precisely this deeper moral dimension that Delacroix succeeded in capturing in a unique way. Ms Mendoni further emphasized that Delacroix’s work is not confined to illustrating historical events, but brings to the fore the spiritual essence and cultural depth of the Greek Revolution. As she noted, it is an image that remains timeless and relevant, and has come to be established as one of the most recognizable symbols of the struggle for freedom, not only for the Greeks but more broadly.

Eugène Delacroix, Greece on the Ruins of Missolonghi, 1826, oil on canvas, Dimensions: 213 x 142 cm (frame excluded), Acquisition: bought by the Salon de la Société des Amis des Arts de Bordeaux, 1852, Musée des Beaux-Arts Bordeau (MUSBA)

Temporary exhibition “Exodus, 1826–2026” in Missolonghi

The National Historical Museum (NHM) and the Region of Western Greece, on the occasion of the 200^th anniversary of the Exodus of Missolonghi, co-organize an exhibition titled “Exodus, 1826–2026”, to be held in Missolonghi from March 20 to October 15, 2026, at the Chryssogelos Mansion. The exhibition offers a concise presentation of the events of the Second Siege of Missolonghi, their impact, and their influence on the shaping of national collective memory.

Odysseas Maroulis (1878–1956), Relief topographic map of the fortification of Mesolonghi during the final siege, National Historical Museum

A. Jaquème, “The remaining members of the garrison of Mesolonghi at the moment they set fire to the powder magazine to blow themselves up,” oil painting, Michalis and Dimitra Varkarakis Collection

Polychronis Lembesis(1848–1913), Ioannis Trikoglidis [1891–1962], “Athanasios Razikotsikas” (1929), oil painting, National Historical Museum (left), “Christos Kapsalis” (1881), oil painting, National Historical Museum (right)

The exhibition unfolds on two distinct levels and is divided into two parts. The first part, dedicated to the historical events, is structured into three thematic sections: (i) the Siege, (ii) the Exodus, and (iii) Memory. Unique artifacts—including paintings and engravings, personal belongings and weapons, costumes, medals, and decorations from the collections of the National Historical Museum, as well as documents, newspapers, and photographs from the Archive of Historical Documents and the Photographic Archive of the Historical and Ethnological Society of Greece—have traveled to Missolonghi, some for the first time. The second part of the exhibition features representations of the Exodus in public history, highlighting the symbolism and interpretations of the event through compositions accessible to younger audiences.

Konrad Lange (1806–1856), Commemorative medal with a symbolic depiction of the Exodus of Mesolonghi (1836), National Historical Museum (left), “The women of Mesolonghi in battle, ” Porcelain plate from the Montereau faience factory, National Historical Museum (right)

Vryzakis Theodoros (1814 or 1819 - 1878), Kapsali’s Sacrifice, Oil on canvas, 134 x 144 cm, Athens National gallery. The sacrifice of Christos Kapsalis (1826) stands as a supreme act of self-sacrifice during the Exodus of Missolonghi, when the local notable blew up the gunpowder store to prevent the remaining elderly, wounded, and women and children from falling into Ottoman hands.

Temporary exhibition “Missolonghi 1826: 200 Years since the Exodus” at the Benaki Museum

On the occasion of the bicentennial of the Exodus of Missolonghi, the Benaki Museum is organising an anniversary exhibition dedicated to the Holy City of Missolonghi, the Greek War of Independence, and the Philhellenic movement. The aim of the exhibition is, on one hand, to honor this pivotal event in the Greek Revolution, which shocked international public opinion and greatly strengthened Philhellenism, and, on the other hand, to highlight the significance and timelessness of the heroic Exodus of the people of Missolonghi.

Through representative paintings, drawings, engravings, books, and objects, the exhibition presents an extensive and multi-layered selection of the iconography of Missolonghi, the national liberation struggle, and Philhellenism. Rare artefacts from the Benaki Museum, the Dr John Robertson collection of drawings and engravings, as well as other institutions and private collections, shed light on how revolutionary Missolonghi served as a point of reference for both political Philhellenism and the intellectual formation of modern Greece. The exhibition combines iconic works with unknown and previously unpublished artefacts, offering a renewed and enriched perspective on Missolonghi and the Greek Revolution. Selected thematic sections (from ephemera and artistic practices to the role of the Press, the family, women, and public spectacles) highlight the broader cultural and ideological context of the era.

Giovanni Berselli (1802-1860) (engraver) – Narducci Pietro (1793-1880) (draughtsman), Missolonghite mother with her child, 1837, Tinted etching, Spyros Sakalis Collection (left), Announcement of Lord Byron’s death in the newspaper Telegrafo Greco, issue no. 6, 24 April 1824, British School at Athens. The foreign language newspaper Telegrafo Greco aimed to inform international public opinion on the events in Greece. It was printed in Missolonghi, at the press of Johann Jakob Meyer and Dimitris Mestheneas, with Count Pietro Gamba as editorial director (right)

Pistol belonging to Lord Byron, Wood, steel, Benaki Museum, donated by R. J. H. Jenkins. In 1834, Dionysios Solomos gave the two pistols to Lord Nugent, the liberal British Governor of the Ionian Islands (1832-1835)

Johann Lorenz II Rugendas (1775-1826) (draughtsman), The Exodus of Missolonghi, 1826, Coloured aquatint, Benaki Museum

Alphonse-Marie de Neuville (1835-1885) (draughtsman), The Defence of Missolonghi, Tinted lithograph, Benaki Museum

Commemorative fan from the concert held at the Vauxhall Hall in Paris, on 26 April 1826, in support of the Struggle of the Greeks, Paper, wood, Benaki Museum

Read also:

Missolonghi – Sacred City: 200 Years Since the Exodus (1/2)

Poem of the Month: “On This Day I Complete My Thirty-Sixth Year” by Lord Byron

Book of the Month: “The Greek Revolution of 1821 and its Global Significance” by Roderick Beaton

Greek Revolution in the works of foreign artists

The post Missolonghi – Sacred City: 200 Years Since the Exodus (2/2) appeared first on Greek News Agenda.

In 2026, 200 years are completed since the Exodus of Missolonghi, on April 10, 1826, an emblematic moment of the Greek Revolution—an event that shaped the course of the struggle and became a symbol of humanity’s fight for freedom and dignity. The long siege and the tragic outcome of the Exodus established Missolonghi as a point of reference for ideals and universal values that transcend the boundaries of our national history.

Message by the Deputy Minister of Foreign Affairs Yiannis Loverdos

In 2021, we celebrated 200 years since the outbreak of the Greek Revolution, a struggle that achieved a successful outcome because it was a blend of heart and reflection. As historian Mark Mazower notes, the success of the Greek struggle was due not only to epic moments of bravery and acts of courage, but primarily to the endurance and sacrifice of ordinary people. The Exodus of Missolonghi is an emblematic expression of this dimension—the choice of freedom over submission—and embodies a new political vision that places sacrifice at the forefront as a contribution to forging a national society.

Missolonghi, the Garden of the Heroes (photo: www.discovergreece.com2-best-things-do-messolongi)

The history of Missolonghi begins as early as antiquity, and the city is geographically connected with the wider region of ancient Aetolia, where ancient Pleuron was located, mentioned by Homer in the Iliad. The founding of the modern city of Missolonghi most likely dates back to the post-Byzantine period. In the 16th century, in texts related to the Battle of Lepanto, Missolonghi is mentioned as an area of fish farms and small fishing settlements. During the 18th century, the settlements of the Missolonghi lagoon developed into a notable naval and commercial center, where significant shipbuilding activity took place, contributing to the city’s economic growth. The failed uprising of the Greeks in 1770, within the framework of the campaign of the Russian admiral Orlov, proved disastrous: the settlement of Missolonghi was set on fire, a large part of the fleet was destroyed, and the inhabitants were forced to abandon their homes and seek refuge in the Ionian Islands. After the destruction of 1770, the city was gradually rebuilt, and economic growth and maritime activity followed.

With the Revolution of 1821, Missolonghi assumed a central role in Western Central Greece. The presence of Alexandros Mavrokordatos was decisive in shaping institutions and administration, while the elected leader of the Missolonghiots, Athanasios Razis-Kotsikas, contributed substantially to the fortification of the city and its military preparation. Through this duality of political presence and local military leadership, Missolonghi capitalized on its strategic position—which allowed it to control western Central Greece and access to the Gulf of Patras—and was transformed into a crucial factor in the outcome of the struggle.

Vryzakis Theodoros (1814 or 1819 - 1878), The Reception of Lord Byron at Missolonghi, 1861, Oil on canvas, 155 x 213 cm, Athens National Gallery

Philhellenes from many countries rushed to Missolonghi as early as 1821. Among them were the German Karl Albert Normann (1784, Stuttgart – 1822, Missolonghi), the Swiss Johann Jakob Meyer (1798 Zürich – 11 April 1826, Missolonghi), publisher of the Ellinika Chronika—and the British William Parry, as well as numerous volunteers from France, Germany, Italy, Poland, Sweden, and the United States. In 1824, Lord Byron arrived in Missolonghi; he collaborated with Mavrokordatos and contributed to the struggle not only by providing financial support but also by rekindling international interest.

Frédéric Boissonnas (1858–1946), Sieges of Missolonghi (1926), photolithograph, National Historical Museum. This piece is a reproduction of a famous painting originally commissioned by the Greek General Yannis Makriyannis between 1836 and 1839. The original series was painted by Panagiotis Zografos, a folk artist and veteran of the revolution, under Makriyannis's specific instructions to document the struggle for independence

In 1822, Missolonghi was besieged for the first time by Kioutachis and Omer Vryonis, but after two months the Ottomans, having suffered heavy losses, were forced to withdraw. Three years later, the Sultan once again assigned Kioutachis to capture the city, coordinating his actions with Ibrahim Pasha’s campaign in the Peloponnese. The second siege began on April 15, 1825, when Kioutachis returned under the Sultan’s orders. In December 1825, Ibrahim Pasha arrived in Missolonghi and took over the direction of the siege, which was organized more systematically, making the blockade suffocating. The prolonged siege, deprivation, and famine had exhausted the approximately 10,000 inhabitants and fighters, who nevertheless continued to reject Kioutachis’s repeated proposals for surrender. Ultimately, the people of Missolonghi decided on the Exodus, planned for the night of Lazarus Saturday into the early hours of Palm Sunday, April 10, 1826. That dramatic moment has been captured in modern Greek literature—among others in Isidoros Zourgos’s novel Aidonopita—and remains to this day a symbol of ultimate sacrifice.

Vryzakis Theodoros (1814 or 1819 - 1878), The Exodus from Missolonghi, 1853, Oil on canvas, 169 x 127 cm, Athens National Gallery

François-Émile de Lansac (1803-1890), Episode of the siege of Missolonghi (1827), Missolonghi Municipal Gallery

The testimonies regarding the consequences of the Exodus are shocking. The Austrian consul in Patras, Vincenzo Micarelli, reported a number of 3,100 “ears” collected by the Ottomans—a practice that provoked horror in European public opinion. The fall of Missolonghi acted as a catalyst for strengthening the philhellenic movement. When the tragic news of the Exodus reached Paris, the reaction was intense and influenced European governments, contributing to a shift in the policy of the Great Powers and to the convergence that led to the Battle of Navarino. The fall of Missolonghi was not the end, but the beginning of a new European awakening in favor of Greek independence. As the national poet Dionysios Solomos notes in The Free Besieged, this small “threshing floor” became a symbol that transcended its historical moment and passed into eternity.

Manuscript of the Greek national poet, Dionysios Solomos from “The Free Besieged”. Inspired by this crucial conflict of the Greek War of Independence, it is considered one of the greatest poems of Dionysios Solomos, “the greatest Greek poem ever written” in the words of Bruce Merry. It is an epic unfinished work, which consists of three separate poems in fragmentary form, written in a period of more than twenty years. The Free Besieged does not have a continuous narrative, but consists of a series of scenes and glimpses that occurred during the last days of the siege. The central theme, according to Solomos’ notes, is the defenders’ power of the will, which is tested by a number of afflictions. Indeed, apart from the armed conflicts, the defenders also had to undergo a spiritual struggle against those that threaten to weaken their resistance. It was not only their physical condition of starvation and destitution, but also the far more subtle and insidious effect on them of the spell cast by nature itself: the work is set in the last days of the siege, just before the Easter of 1826, during springtime, and two of its sections are dedicated to the beauty of spring. The besieged, according to Solomos, become truly free because of their spiritual victory over all their trials. This was described by the poet as an inner freedom of the will.

Read also: https://www.greeknewsagenda.gr/poem-of-the-month-the-free-besieged-by-dionysios-solomos/

Two hundred years later, the Sacred City of Missolonghi honors the memory of self-sacrifice, reflects on its identity, and highlights its contemporary dynamism, remaining a place of memory and inspiration for future generations.

Missolonghi, the Laggon (photo: https://www.discovergreece.com/travel-ideas/best-of/12-best-things-do-messolongi)

Missolonghi – Sacred City: 200 Years since the Exodus (1826–2026)

Read also:

Poem of the Month: “On This Day I Complete My Thirty-Sixth Year” by Lord Byron

Book of the Month: “The Greek Revolution of 1821 and its Global Significance” by Roderick Beaton

Greek Revolution in the works of foreign artists

The post Missolonghi – Sacred City: 200 Years Since the Exodus (1/2) appeared first on Greek News Agenda.

“Faros Global Community” is the new digital platform of Study in Greece for Chairs and Programs of Greek Studies worldwide, recently presented at the Ministry of Education. The platform enables in-depth exploration of more than 500 study programs offered by over 150 institutions across more than 40 countries. Its mission is to provide a detailed mapping of higher education institutions, educational centers, and organizations around the world that promote the Greek language, history, and culture. The platform is part of the broader strategy of Study in Greece (SiG) - the non-profit organization promoting Greece’s public universities and their internationalization and outreach - implemented in cooperation with the Ministry of Education, Sports and Religious Affairs and the Ministry of Foreign Affairs, with the aim of connecting Greek higher education institutions with the global community and attracting foreign students to Greece.

Ιn her address welcoming the proceedings of the conference, the Minister of Education, Religious Affairs and Sports, Sofia Zacharaki, referred to the Greek language as a timeless vehicle of ideas that have profoundly influenced global thought, as a gateway connecting Greece with the world, and as a bridge linking Greece with the Greek Diaspora, philhellenes, and the international academic community. “The Greek language can become one of the most powerful tools for the internationalization of higher education. It can attract new students. It can strengthen cooperation among universities. It can open new pathways for Greece internationally. Because when the Greek language travels, Greece travels with it,” Ms Zacharaki noted.

The Minister referred to the digital platform “Faros Global Community,” noting that it maps departments of Greek studies and centers for the Greek language worldwide, creating a new international network of cooperation. At the same time, she spoke about the “e-Hellenomatheia” project, which is currently underway and makes use of the possibilities of distance learning, giving people around the world the opportunity to learn Greek and prepare for studies at Greek universities. Furthermore, Ms Zacharaki emphasized that Greek-language education abroad is a “stable and enduring priority” for the Ministry of Education, noting that approximately 40,000 students worldwide learn Greek through 230 recognized Greek language departments, supported by 752 seconded teachers from Greece. In parallel, during the current school year, more than 145,000 school textbooks have been sent to Greek educational units abroad. “With cooperation, extroversion, and confidence in the power of education, we can further strengthen the presence of the Greek language and Greek higher education internationally,” the Minister concluded.

(Source: https://www.amna.gr)

The Deputy Minister of Foreign Affairs Yiannis Loverdos, addressing the event, referred to the recent proclamation of World Greek Language Day by UNESCO and the signing of a Memorandum of Cooperation between the Ministry of Foreign Affairs and Study in Greece. He described the Greek language as “universal” and a “language of culture,” and highlighted the unanimous decision of countries around the world, through UNESCO, to designate February 9 as World Greek Language Day, recognizing its unique contribution to global thought and civilization. “Language and culture do not belong only to Greeks; they belong to the whole world,” Mr. Loverdos emphasized.

The Deputy Minister praised the work of Study in Greece, noting that the national and supranational services it provides promote the dissemination of the Greek language and culture. He also referred to the Memorandum of Cooperation signed by the two sides, aimed at enhancing the effectiveness of their collaboration and establishing a pillar for achieving strategic planning—not only for the Greek Diaspora and expatriate Hellenism, but also for all those who wish to become acquainted with Greek education and culture. “With this Memorandum, Study in Greece acquires a more active role in connecting the Greek academic community with Greek communities abroad, making use of the global network of our diplomatic authorities,” Mr Loverdos noted.

The Secretary General for Greeks Abroad and Public Diplomacy, Maira Myrogianni, stressed, among other points, that “the strengthening of Greek-language education worldwide is directly linked to preserving the identity of Hellenism, promoting the country’s cultural outreach, and reinforcing Greece’s ties with Diaspora communities. Enhancing Greek studies internationally is not merely an educational goal—it is also a tool of public diplomacy and a bridge connecting our country with the global academic community”. “We are implementing the Strategic Plan for Greeks Abroad 2024–2027 and shaping the Strategic Plan for Public Diplomacy, in which support for the teaching of the Greek language and Greek-language education abroad holds a central place,” Ms Myrogianni noted.

 “The initiative Faros Global Community highlights Greece’s role as an academic and cultural destination, opening new pathways for students, researchers, and young people from the Diaspora—as well as from around the world—to become acquainted with the language, culture, and contemporary Greek reality.” “It is an initiative that contributes to mapping and connecting the international academic ecosystem of Greek studies,” she added.

“The General Secretariat is developing a comprehensive strategy to strengthen Greek-language education abroad. In 2024, for the first time, a holistic strategy was formulated to support Chairs, Departments, and Centers of Greek Studies—both Modern and Classical—in universities and research institutions abroad. This strategy is based on three main pillars: strengthening existing chairs, recording and monitoring those facing sustainability challenges, and encouraging the creation of new Greek studies structures internationally. The results are already visible. In 2024, 43 university chairs of Greek studies were supported for the first time, while in 2025 this number increased to 81. For 2026, we aim to respond to even more requests.”

“Particular emphasis is also placed on networking these chairs with each other, as well as with universities and institutions in Greece, with the aim of creating a dynamic international collaboration network that will further strengthen philhellenism and academic exchange. In this direction, we are planning to organize an international Conference in early June with the participation of representatives from Chairs and Centers of Greek Studies worldwide,” the Secretary General noted.

Study in Greece (SiG) is the organization of Greek higher education institutions, dedicated to promoting internationalization of Greek higher education. Fully endorsed by the Greek state, SiG operates as a non-profit comprising representatives from all 24 Greek state universities, and is governed by a dedicated board of directors who bring knowledge and expertise from leadership positions in Greek universities

Professor at Harokopio University and President of Study in Greece, Christos Michalakelis presented the platform and emphasized the importance of recording study programs in strengthening links with Greek higher education institutions. “From now on, we can connect Greek universities, through summer or joint programs, with chairs in the Diaspora,” he noted.

More than 300 participants attended the conference, both in person and remotely, with the overwhelming majority joining from countries abroad. Stella Kokoli, President of the Hellenic-American Educators Federation, and Fr. Grigorios Stamkopoulos, Protopresbyter of the Ecumenical Throne and Director of the Office of Education of the Greek Orthodox Archdiocese of America, also delivered greetings at the event. In addition, a significant part of the conference was devoted to presentations on Greek language proficiency and its potential as a driver of internationalization.

(Source: https://www.amna.gr)

Read also:

Speech by Prime Minister Kyriakos Mitsotakis at the event celebrating World Greek Language Day at the SNFCC

Message by the Deputy Minister of Foreign Affairs, Yiannis Loverdos, on World Greek Language Day

Event Hosted by the Permanent Delegation of Greece to UNESCO for World Greek Language Day

The post “Faros Global Community”: The new Digital Platform for Greek Studies Worldwide appeared first on Greek News Agenda.

The National Strategy for the Protection of Cultural Heritage from the Impacts of Climate Change was recently presented by the Minister of Culture Lina Mendoni at the auditorium of the Acropolis Museum. “This is the first systematic effort to integrate the climate dimension into the management, protection, and promotion of cultural heritage in Greece, and one of the few internationally that incorporates and synthesizes updated and reliable guidelines,” emphasized Lina Mendoni, referring to the project, which integrates international standards from the UN and the EU (Cover photo: The archaeological site of Delos, Source: Ministry of Culture).

The National Strategy was developed within the framework of the project “Protection of Iconic Sites and Monuments of Cultural Heritage from Climate Change,” funded with €22,000,000 from the Recovery and Resilience Facility. This project forms part of the national effort to address the impacts of climate change in the cultural sector and marks a significant step toward strengthening the resilience of the country’s cultural heritage.

The National Strategy was designed by the Ministry of Culture, through the Directorate of Prehistoric and Classical Antiquities, in collaboration with the National and Kapodistrian University of Athens and the National Hellenic Research Foundation, having carried out detailed climate-risk assessments examining threats such as wildfires, flooding, extreme heat, landslides, and coastal erosion. Its development and implementation were carried out in close cooperation with the Ministry of Climate Crisis and Civil Protection and the Ministry of Environment and Energy, ensuring a holistic and coordinated approach to safeguarding cultural heritage against the impacts of climate change.

(Source: https://www.amna.gr, https://www.culture.gov.gr)

Key elements of the strategy include:

• Climate risk assessment across the country, considering exposure, vulnerability, and hazard levels
• Preventive infrastructure projects, including fire protection, flood control, and landslide mitigation at vulnerable archaeological sites
• Digital tools and platforms for evaluating risks and selecting tailored adaptation plans.
• Monitoring and evaluation systems aligned with international indicators set at COP30 (2025) in Belém, Brazil
• Training programs for Ministry of Culture staff on climate adaptation measures
• International collaboration with the UN, UNESCO, and EU initiatives to integrate cultural heritage into global climate action

 (Source: https://www.tovima.com/culture/greece-unveils-plan-to-protect-monuments-from-climate-change/ )

More specifically, the National Strategy seeks to promote international collaboration, which includes, among other initiatives:

• Establishing a framework for collaboration with 54 additional United Nations Member States (Group of Friends for Culture-Based Climate Action) to integrate cultural heritage into the priorities of the UNFCCC (adaptation and mitigation)
• Maintaining systematic cooperation with UNESCO and other international organizations
• Participating in the European Union Working Group on enhancing the resilience of cultural heritage to the impacts of climate change
• Creating a dedicated program within the Forum of Ancient Civilizations and drafting a memorandum of cooperation with all member states, as well as establishing a network of contact points within the Forum to ensure coordination and coherence of activities in the field of cultural heritage protection from climate change
• Participating in national and international research initiatives

(Source: https://www.culture.gov.gr)

Firefighting systems at the archaeological site of Mystras. Within the framework of the project, infrastructure and risk management interventions were also implemented, such as the installation of fire protection systems in Philippi and Mystras, flood protection works in Dion and Malia, as well as measures to mitigate landslides and rockfalls in Delphi. These interventions clearly reflect the transition from scientific knowledge and strategic planning to the implementation of concrete protection policies

Minister Lina Mendoni stressed, among others, that “the Ministry of Culture, since 2019, has been implementing a comprehensive program for the identification and assessment of climate risks, as well as for prevention and resilience-building, in alignment with international standards and in harmony with the broader National Strategy for Adaptation to Climate Change. Our aim is for it to serve as a reference framework for all relevant state institutions in safeguarding monuments and archaeological sites, while promoting the integration of cultural heritage management with climate resiliency. The National Strategy follows a long-term plan with a horizon extending to 2050, including intermediate targets every five years. It provides for adaptation plans for 40 archaeological sites by 2030 and makes use of modern technologies and planning tools.

“The National Strategy is structured around 4 pillars of action: Diagnosis, Monitoring, Prevention, and Response. These pillars do not operate in isolation, but in an interconnected and functionally sequential manner. They constitute a unified risk management cycle: they begin with the scientific understanding of threats, move on to systematic monitoring, organize prevention, and culminate in targeted field interventions. This is a structure that allows the Strategy to be translated into practical public policy,” added L. Mendoni. “It is part of a broader, dynamically evolving international, European, and national institutional framework, which in recent years has been gradually shaping a new approach to environmental governance and climate policy”.

Readiness drill at Mystras

The Minister of Climate Crisis and Civil Protection, Giannis Kefalogiannis, stated that “the protection of monuments can no longer be limited to restoration after damage, but must be based on prevention, preparedness, and systematic planning.” He also referred, among others, to the cooperation developed in recent years between the Ministry of Culture and the Ministry of Climate Crisis and Civil Protection, which was established with the signing of a Memorandum of Cooperation in 2021 and further strengthened in subsequent years through more targeted actions, particularly in addressing the risk of wildfires. He also referred to the establishment of a special Fire Protection Regulation for archaeological sites and monuments, being developed jointly by the two ministries. This regulation provides for specific preventive measures, such as the systematic management of vegetation, improved access for firefighting forces, the provision of safe evacuation routes for visitors and staff, and the strengthening of preparedness procedures in emergency situations.

At the Minoan Palace of Malia in northern Crete, an integrated drainage network and upgraded protective canopies help safeguard the archaeological site from rainfall and erosion

The National Strategy for the Protection of Cultural Heritage from the Impacts of Climate Change represents the first comprehensive national effort to assess climate risk and design adaptation measures for the protection of cultural heritage. The methodology developed is based on a multidimensional approach to climate risk assessment, with a pilot application in 19 archaeological sites across the country. It serves as a reference framework for all relevant institutional and administrative levels—the Ministry of Culture, particularly the Ephorates of Antiquities, the competent ministries, regional and local authorities, as well as academic and research institutions and local communities—strengthening the connection between cultural heritage management and climate resilience. At the same time, it constitutes a dynamic strategic planning tool that can be adapted to new scientific data, updated climate projections, and evolving needs for the protection and management of cultural heritage.

(Source: https://www.amna.gr, https://www.culture.gov.gr)

The post Greece Unveils National Strategy to Protect Cultural Heritage from Climate Change appeared first on Greek News Agenda.

The Ministry of Culture recently held a press conference presenting the photographs from the so-called Hoyer Collection—including three depicting some of the most dramatic moments of the execution of 200 Greeks in Kaisariani by Nazi occupation forces on May 1, 1944—and announcing the creation of a National Photographic Archive. At the press conference, in the presence of Minister of Culture Lina Mendoni, the participants included four experts who traveled twice to Belgium to meet Tim de Craene, a collector-dealer, in order to assess the authenticity and legal provenance of the collection, as well as its significance and value. The collection was purchased for €100,000 with funds from the Ministry of Culture.

Minister of Culture Lina Mendoni presented a historical overview, from the initial discovery of the collection - comprising 262 photographs, 16 documents, and four old banknotes offered for sale by a Belgian collector on an online auction site - to the transfer of ownership of the collection to the Ministry of Culture and the Greek state.

National Photographic Archive

Minister Lina Mendoni stated that “with a legislative provision, the Ministry of Culture will establish a National Photographic Archive. It will constitute a distinct body within the National Archive of Monuments and will be interconnected with the other databases of the Directorate for the Management of the National Archive of Monuments”. She emphasized that, beyond the photographs of exceptional importance from Kaisariani and the Hoyer Collection, “there were many reasons why we wished to establish a National Photographic Archive. For example, there are the extremely significant photographic collections from Tatoi for our modern history; photographs of Greek refugees—archives that have already been handled by the Ministry of Culture and which will be housed in the Museum of Refugee Hellenism in Thessaloniki—as well as photographs from the historical archive of the Archaeological Service. The Ministry of Culture holds a large amount of material, and if the collections of the supervised institutions are also taken into account, there was every reason to create this distinct National Photographic Archive within the National Archive of Monuments.” 

Next steps

Regarding the next steps for the Hoyer Collection, L. Mendoni provided the following information: “The Ministry of Culture, since it has now declared the photographs as monuments - that is, they constitute a material monumental relic protected under Law - has already begun to handle the collection according to the procedure required for monuments: protection, conservation, safeguarding, scientific documentation, and ultimately its promotion and wider public presentation. The aim is for it to be used, like all the evidence of our historical and cultural heritage, in public discourse and in education. Throughout the study, what I insist on and what I have requested is strict scientific documentation and testimony. The photographs are monuments of our modern history, and this is how we will treat them. This period requires study and specialists who can address it,” the minister emphasized.

As was announced in the interview, the first step for the collection, after care by the competent Conservation Directorate, is the digitization of all the material. “Digital copies, under certain terms and conditions, may be provided by the Ministry of Culture to specific recipients. A necessary prerequisite is the historical identification of subjects, places, people, and dates, as well as the integration of the collection into its historical context. Obviously, the photographs of the execution will receive special treatment,” the Minister of Culture emphasized, noting that the research work has already been undertaken by the National Hellenic Research Foundation, within the framework of the Cultural Development Programmatic Agreement with the Ministry of Culture, under the scientific supervision of Mr. Schneider and his colleagues at the Foundation. “The collection is in very good condition. However, it is more than 80 years old, so it will require special care. What concerns us now is conservation, digitization, and management in order to protect the collection in the future,” said M. Mertzani, head of the Directorate for the Conservation of Ancient and Modern Monuments of the Ministry of Culture.

The Significance of the Collection

The head of the Directorate of Modern Cultural Heritage of the Ministry of Culture, V. Fotopoulou, emphasizing the importance of the collection and noted: “We were certain from the beginning about the value, importance, and authenticity of the entire set of photographs, and thus - with the very decisive stance of the political leadership - we managed, within 13 days, to bring to completion a very difficult undertaking. We were very confident because we are historians and we know very well what these kinds of collections are photographs taken by soldiers of the Third Reich, the Wehrmacht, and the SS of Nazi Germany, which now circulate widely. We know what happened here. It is estimated that more than 40 million photographs were taken by Wehrmacht soldiers and over 2 million photographs by the propaganda units established by Joseph Goebbels.”

“It is important, first of all, that we study how these individuals were shaped within the context of war. The photographs taken by this particular sergeant, and by many others, are a study of how people are formed through violence. They are also a study of the power of propaganda. Goebbels created a propaganda machine not only with professional photographers from the propaganda units but also by encouraging everyone - soldiers and their families - to take photographs. Why? So that these photographs would return home and create an image of the successes of the Wehrmacht for families, so that in the future - because he was certain that Germany would win - there would be a vast album of memories from the Great War and what Germany had achieved in it. Of course, and fortunately, none of that ever came to pass,” she pointed out.

Photographer Stavros Mavrommatis noted that the “photographer” in quotation marks is completely untrained. “He has almost no instruction for documentation and is simply creating a personal album. He uses a very good camera and excellent photographic paper that was circulating at the time—from this we understood the authenticity of the photographs at first glance. Nevertheless, his photographs are poor in photographic terms; that is, he had no instruction to document events. Rather, he had the instruction to create an album that would show the activities of the Third Reich. He takes the photographs completely detached from what he is seeing—in the album, next to the images of the executions, he places photographs of people swimming at Votsalakia Beach in Piraeus. This is precisely another reason why these photographs have particular value, because they show that they were taken not by explicit order, but in accordance with the spirit that prevailed among the occupation troops,” said.

Valentin Schneider, historian and researcher at the National Hellenic Research Foundation stressed that “these are photographs that have a hybrid character, because on the one hand they are private photographs, documenting private life in the army and during the war. On the other hand, however, it seems that there may have been some low-level instruction, perhaps at the level of the military unit itself, to document the everyday life of the unit so that photographs could be exchanged after the war.”

Valentin Schneider presented several characteristic photographs from the Hoyer Collection, including the 13 images from Kaisariani, three of which were the most dramatic, as they depict the moment of the execution and the minutes immediately afterward.

(Source: https://www.ertnews.gr/eidiseis/ellada/kaisariani-parousiastikan-oi-istorikes-fotografies-apo-tin-ektelesi-ton-200/ )

The post Rare Photographs of the Nazi Occupation and the Kaisariani Execution Presented by the Ministry of Culture appeared first on Greek News Agenda.