Kalamata has received a major international distinction, as the mural by visual artist Kleomenis Kostopoulos depicting Maria Callas on the central Aristomenous Street was named the best in the world for 2025 by the international institution Street Art Cities. The artwork adorns the city center and has already become a landmark for residents and visitors alike. Through a dynamic artistic approach, the image of the great opera diva Maria Callas is brought to life in a public space, linking street art with contemporary Greek culture.

According to Street Art Cities, “Kalamata just made street art history. @kle_omenis monumental Maria Callas mural has been voted Street Art Cities Best Of 2025, making it the first Greek winner ever. For artist Kleomenis Kostopoulos, this work is a living narrative about place, memory, and cultural continuity.” “Callas isn’t a commemorative portrait, but a symbolic presence, a body carrying culture between past and present,” he says. Nature, roots, fruit, birds: symbols of identity born from the land and the people who inhabit it. The public response was overwhelming. “When a work in public space is embraced like this, you realise it no longer belongs to you, but to the people who live with it,” KLE shares”.

 (Source: Street Art Cities)

“Street Art Cities felt that power too: “Seeing Greece rally behind this mural was incredible. The passion and pride showed how strong the collective voice can be. We will soon visit to hand the award and see this monumental mural in person” shares Tiny Tim one of the co-founders. For KLE, the win is “a moment of gratitude, not a finish line, but motivation to keep working with responsibility toward the public space.” For Kalamata, it’s a reminder that cities can engage with contemporary culture without losing themselves. A mural rooted in place. A community that showed up. A historic first for Greece.” 

(Source: Kleomenis Kostopoulos)

Speaking earlier to Athens-Macedonian News Agency, the creator of the mural, Kleomenis Kostopoulos noted: “The Street Art Cities platform manages around 80,000–85,000 murals worldwide, across approximately 2,000 cities. They approached me and asked whether I would like my work to participate in the competition that selects the best mural of each month, for November”. The public vote did indeed select the work ‘Kalamata’ as the best mural of November 2025, which automatically qualified it as a nominee for the best artwork of the year.

Mural by Kleomenis Kostopoulos in Patras (2022), commemorating the Greek Righteous Among the Nations and the rescue of the Jews of Zakynthos. The mural depicts the Mayor of Zakynthos, Loukas Karrer, the Metropolitan of Zakynthos, Chrysostomos, and Hermandos Mordos with his wife Eftychia and their four children, Rebecca (Becky), Samuel, Moses, and Nina (Source: The Jewish Community of Athens)

The artist himself did not begin in street art. “I am a visual artist and painter,” he says, describing a path that included studies in Athens, nearly a decade in Germany, and ultimately a return to his hometown of Patras. There, as he explains, he felt the need to activate the contemporary cultural landscape in a city and a country which, as he puts it, “have unfortunately been in decline in recent years and are at a very critical point.”

Murals of ArtWalk in Patras! “IN CHAOS FIND JOY” by SOTEUR & The Flying Dolphins, Korinthou 406, Patras 2023(upper left), “Another Bad Hair Day” by D*Face, Korinthou 50, Patras 2022(upper right), “A New Dionysus” by Mon Devane, Skagiopouliou 32, Patras 2022 (lower left), “Jacob’s ladder” by Leonidas Giannakopoulos, Evdimou 4, Patras 2022(lower right)

This need gave rise to Art in Progress, the non-profit organization he founded, as well as a series of international festivals: Re-culture and later ArtWalk, an international mural festival that is currently in the process of holding its 11th edition. “We have completed 78 large-scale murals in Patras. It may be one of the most recognized festivals in Europe and beyond,” he notes. Through this process came his personal engagement with art in public space. “I was never a street artist. Through the festival, I observed how my fellow artists created these ‘magical’ works on such large scales. That’s how my own involvement with murals began, in 2018,” he explains.

 (Source: Kleomenis Kostopoulos)

“Kalamata was a special case. The work emerged after many discussions with the Municipality, in a city that—according to the artist—was attempting such a central intervention in public space for the first time. “Out of absolute respect for public space, and for the fact that the city was entering the process of acquiring its first mural in such a central location, I wanted to engage with the very face of the city. To depict Kalamata itself,” explains Kleomenis Kostopoulos. “Thus, the choice of Maria Callas was not intended as a tribute to her person, but as a symbolic vehicle. Kalamata had to be a female figure. And because it is an outward-looking city, with tourism and an international audience that visits it, I felt that Callas—also due to a distant ancestral connection—could function as a representative figure,” he notes.

Working during the implementation of the project (Source: urbanjoy.gr)

Although the work was initially “misinterpreted” as a simple portrait, the artist clarifies that “this is not a portrait of Callas, but a portrait of Kalamata.” The mural is, in fact, filled with multi-layered symbolism: life and death, roots and evolution, natural wealth and human loss. On the seabed, for example, the businessman Papadimitriou is depicted swimming—an individual who linked his name to the city’s local products and passed away prematurely. “That’s what is beautiful about art in public space,” he says, explaining that the building itself is experientially connected to this story, as it was where the businessman once lived.

The trees behind the figure lack dense foliage, alluding to a “tragic element,” while the birds—from those with melodious songs to the crow—complete the cycle of life. Even the choice of the photograph of Callas is deliberately “more human, more worn,” far removed from the stylized images of the diva. Finally, the dress functions as a reference to agricultural products and the productive identity of the region.

Working during the implementation of the project. Photo: Dimitris Neofotistos/Street Art: KLE (Source: urbanjoy.gr)

The realization of the project was anything but easy. It began in late October 2025, with weather conditions forcing interruptions due to rainfall, and was ultimately completed in November 2025. Shortly afterward came the international recognition, and “Kalamata” is now competing in the major vote for the best artwork of 2025, facing cities and countries with long traditions in street art and significant international reach. However, the message conveyed by the artist goes beyond personal distinction, serving as evidence of the dynamism of contemporary Greek art.

Street art in Greece is a vibrant formof expression. Especially in cities like Athens and Thessaloniki, murals and graffiti reflect themes such as history, identity, and everyday urban life. Influenced by both local traditions and international movements, Greek street art has transformed public spaces into open-air galleries and has become an important voice for contemporary social commentary.

The Street Art Cities platform lists 574 street art masterpieces in Athens: https://streetartcities.com/cities/athens

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TAGS: ARTS | AWARDS | CONTEMPORARY | STREET ART