Category: Reading Greece

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Reading Greece
Reading Greece10 hours ago
📚📚Οn the occasion of the publication of his novel "When Shakespeare was lost (1585-1592) published by Εκδόσεις Γκοβόστη, Νew York-based writer, research and activist Dimitris Eleas spoke to Reading Greece about using Shakespeare’s life not simply as a biographical subject but as a way to explore contemporary issues, as well as about literature as a means to comfort, to educate, to provoke and contribute to social change.
Reading Greece
Reading Greece1 day ago
On the occasion of the publication of her latest book "Persephone in wolf's mouth" by Kichli Publishing, writer Dimitra Louka spoke to Reading Greece about the challenges in re-imagining ancient myths and mythological figures in contemporary settings.

"#Myths and symbols are primal forms from which endless stories can be born; they speak to us in subtle, subterranean ways, linking the individual to the collective fate, the present to its ancestral past. I feel the same is true of memory and identity: when we write “stories,” we are, in truth, trying to articulate who we are, what we carry with us, and what we long to forget. I return to these realms again and again because they offer me a way to better understand myself and the world. As for psychological introspection, it lies at the very heart of literary writing, which must illuminate the contradictions, the shadows, the hidden passions that pulse beneath every human experience".
Reading Greece
Reading Greece2 days ago
📚📚On the occasion of the publication of her latest writing venture "The only animal" (Γεννήτρια, 2025), Reading Greece spoke to playwright, writer and translator Natassa Sideri about the book and the main themes it delves into, literary language, and the meeting point between literature and theatre.

"When I see something on the street that is story material, it’s usually very clear to me what I should do with it. When I write theatre, the process starts and normally also ends with a question, specifically a question I don’t have an answer to, whether on or off stage. This question is then first delivered to the polyphony of the theatre, then to the actors and the director, and finally handed over to the public as a take-home gift. This is how theatre has worked since antiquity: as a place for asking difficult questions that could be neither raised nor answered anywhere else in the polis without creating havoc. Short stories, on the other hand, at least for me, provide this space of interiority that allows the reader to follow the character’s journey in a more intimate setting than the theatre, where the world that the work creates is invited to enter the room through the reader’s filtering of it rather than the actors’ boisterous voices and ever-present bodies".